Analysis of Brahmā, Vişņu, Śiva

Rabindranath Tagore 1861 (Kolkata) – 1941 (Kolkata)



I THE DARK

In a worldless timeless lightless great emptiness
Four-faced Brahma broods.

nasad asin, no sad asit tadanim;
nasid raja no vioma paro yat.
kim avarivah? kuha? kasya sarmann?
Ambhah kim asid, gahanam gabhiram?

na mytur asid, amrtam na tarhi.
na ratria ahna asit pratekh.
anid avatam svadhaya tad ekam.
tasmad dhanyan na parah kim canasa.

tama asit tamasa gudham agre;
apraketam salilam sarvam a idam.
tuchyenabhu apihitam yad asit,
tapasas tan mahinajayataikam.

Of a sudden sea of joy surges through his heart –
The ur-god opens his eyes.
Speech from four mouths
Speeds from each quarter.
Through infinite dark,
Through limitless sky,
Like a growing sea-storm,
Like hope never sated,
His Word starts to move.

Stirred by joy his breathing quickens,
His eight eyes quiver with flame.
His fire-matted hair sweeps the horizon,
Bright as a million suns.

From the towering source of the world
In a thousand streams
Cascades the primeval blazing fountain,
Fragmenting silence,
Splitting its stone heart.

kamas tad agre sam avartatadhi
manaso retah prathamam yad asit?
sato bandhum asati nir avindan
hrdi pratisya kavayo manisa

II THE MUSIC

In a universe rampant
With new life exhalant,
With new life exultant,
Vishnu spreads wide
His four-handed blessing.
He raises his conch
And all things quake
At its booming sound.
The frenzy dies down,
The furnace expires,
The planets douse
Their flames with tears,
The world’s Divine Poet
Constructs its history,
From wild cosmic song
Its epic is formed.
Stars in their orbits,
Moon sun and planets –
He binds with his mace
All things to Law,
Imposes the discipline
Of metre and rhyme.

In the Manasa depths
Vishnu watches -
Beauties arise
From the light of lotuses.
Lakshmi strews smiles -
Clouds show a rainbow,
Gardens show flowers.
The roar of Creation
Resolves into music.
Softness hides rigour,
Forms cover power.

tirascino vitato rasmir esam:
adhah svid asid, upari svid asit?
retodha asan, mahimana asan;
svadha avasat, prayatih parastat.

Age after age after age is slave to a mighty rhythm –
At last the world-frame
Tires in its body,
Sleep in its eyes
Slackens its structure,
Diffuses its energy.
From the heart of all matter
Comes the anguished cry –
‘Wake, wake, great Shiva,
Our body grows weary
Of its law-fixed path,
Give us new form.
Sing our destruction,
That we gain new life.’

III THE FIRE

The great god awakes,
His three eyes open,
He surveys all horizons.
He lifts his bow, his fell pinaka,
He pounds the world with his tread.
From first things to last it trembles and shakes
And shudders.
The bonds of nature are ripped.
The sky is rocked by the roar
Of a wave of ecstatic release.
An inferno soars –
The pyre of the universe.

Shattered sun and moon, smashed stars and planets,
Rain down from all angles,
A blackness of all particles
To be swallowed by flame,
Absorbed in an instant.
At the start of Creation
There was a dark without origin,
At the breaking of Creation
There is fire without end
In an all-pervading sky-engulfing sea of burning
Shiva shuts his three eyes.
He begins his great trance.

ko adha veda? Ka iha pravocat,
kuta ajata, kuta iyam visrstih?
arvag deva asya visajanena:
atha ko veda yata ababhuva?

iyam visrstir yata ababhuva;
yadi vasa dadhe yadi van na:
yo asyadhyaksah parame vioman
so anga veda, yadi va na veda.


Scheme A BB CDEC FACB GCDC DHXGAXCDI JCEJ DXEXD FDEB K DDDDLXXDEMXXDGXDNNXXEC XXHBXXMEKGG CDED CCDHGXGGXGXCEX G BEJADXMDGXXX NOOCDEEEDLHX DDEI IEED
Poetic Form
Metre 101 0011011100 1111 111111 1111101 11111 11111 111111 11111 11111 111111 101111 11101 1111 111 101011110111 0111011 1111 11110 11001 11001 101011 111010 11111 11111010 1111011 1101110010 110101 101001101 00101 0100101010 10010 10111 11111 11111 101111 1111 1010 001010 1111 111010 1011 111010 11011 0111 11101 01011 010010 0101 1111 010110 011100 11101 11011 10110 11010 11111 1111 0100100 11001 0011 1010 1001 10111 111 1101 10110 011010 010110 1011 11010 1111 111111 1111 1111 110110111101010 11011 100110 1011 10110 0101100 1011110 10101 11110 1010110 11111 1111 110010 11111 1010 0111 11110 1011010 1111111 1101111 111111101 010 0111011 0111101 101101001 10101 0101010 1010111010 111110 01011100 111011 010110 1011010 110101100 10101010 1110011 01101010101110 101111 101111 1110111 11111 11011 1011011 1111 111111 1111 111011110
Closest metre Iambic tetrameter
Characters 3,215
Words 566
Sentences 46
Stanzas 19
Stanza Lengths 1, 2, 4, 4, 4, 9, 4, 5, 4, 1, 22, 11, 4, 14, 1, 12, 12, 4, 4
Lines Amount 122
Letters per line (avg) 22
Words per line (avg) 5
Letters per stanza (avg) 138
Words per stanza (avg) 30
Font size:
 

Submitted on May 13, 2011

Modified on March 05, 2023

2:49 min read
104

Rabindranath Tagore

Rabindranath Tagore FRAS was an Indian polymath—poet, writer, playwright, composer, philosopher, social reformer and painter. He reshaped Bengali literature and music as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. more…

All Rabindranath Tagore poems | Rabindranath Tagore Books

5 fans

Discuss this Rabindranath Tagore poem analysis with the community:

0 Comments

    Citation

    Use the citation below to add this poem analysis to your bibliography:

    Style:MLAChicagoAPA

    "Brahmā, Vişņu, Śiva" Poetry.com. STANDS4 LLC, 2024. Web. 1 May 2024. <https://www.poetry.com/poem-analysis/29422/brahm%C4%81%2C-vi%C5%9F%C5%86u%2C-%C5%9Aiva>.

    Become a member!

    Join our community of poets and poetry lovers to share your work and offer feedback and encouragement to writers all over the world!

    May 2024

    Poetry Contest

    Join our monthly contest for an opportunity to win cash prizes and attain global acclaim for your talent.
    30
    days
    17
    hours
    2
    minutes

    Special Program

    Earn Rewards!

    Unlock exciting rewards such as a free mug and free contest pass by commenting on fellow members' poems today!

    Browse Poetry.com

    Quiz

    Are you a poetry master?

    »
    Who wrote the poem, "The cask of Amontillado"?
    A Miguel De Cervantes
    B Edgar Allan Poe
    C Emily Dickinson
    D Rudyard Kipling