Analysis of The Hand In The Dark

Ada Cambridge 1844 (St Germans, Norfolk) – 1926 (Melbourne)



How calm the spangled city spread below!
How cool the night! How fair the starry skies!
How sweet the dewy breezes! But I know
What, under all their seeming beauty, lies.

That million-fibred heart, alive, is wrung
With every grief that human creatures fear.
Could its dumb anguish find a fitting tongue
The very dead within their graves would hear.

It calls me from my rest, that voiceless wail
Of Lazarus at the gate — my kith and kin
Whose cruise and cake, and staff and beacon, fail —
 The famished crowd, that cannot enter in.

How can I take my ease amid this pain,
These pangs, these tears, these crimes, that never cease?
While homeless children cry for bread in vain
How can I eat? How can I sleep in peace?

Poor comrades of the fight, that have no place!
Brothers and sisters, born to want and wrong.
Born weak and maimed, to run a hopeless race,
Lost at the start, against the hale and strong!

Poor scapegoats of the wilderness, that fast
For those who feast! And, ah, poor feasters too!
They also thirst and hunger at the last.
And this is Life — and all the Race can do.

Vain, vain the listening ear, the questioning gaze.
Shoreless, unplumbed, the ether-ocean lies
Above these roofs, beyond the smoke and haze —
The Infinite — alive with watching eyes.

To see our orb of sorrow whirling there —
The tiny swarm of struggling things, that curse
Their subject province, and yet calmly dare
To claim the kingship of the Universe.
Dread cloud of witnesses to earth's disgrace!
Earth is my trust — I am afraid to look
Those still and stern accusers in the face,
And haste to hide in my familiar nook.

My little nook — where is it? Have I none?
I grow confused betwixt the sea and shore.
I had some lamps to guide me — one by one
They flashed and failed, and now I have no more.

Where am I? Oh, where am I? I can feel —
To feel my torment — but I cannot see,
I cannot hear. My brain begins to reel,
My heart to faint. Almighty, speak to me!

Help me! Or, in Thy pity, take me hence
While feeling heart and thinking brain are whole,
Or give me any rag of carnal sense,
So it suffice to wrap my naked soul!

*     *     *     *     *
No word. No sign. Yet something in the air
Soothes, like a cool hand on a fevered brow.
Replenished, from the ashes of despair
I rise renewed. Belovèd, where art thou?

She sleeps. She stirs. She hears the lightest fall
Of foot familiar with her chamber floor.
Her spirit answers to my spirit's call:
Come home! Come home! And I am saved once more.

Bringing no leaf of hope, alone and late,
Spent and wing-weary, famished for a crumb,
The wandering dove heads back to nest and mate.
 My Love and Comforter, I come! I come!

Here is the welcome threshold of my ark,
My island-home amid the trackless flood.
Her hand shuts out the Silence and the Dark;
Her pulse thrills life into my fainting blood.

She draws me down upon that couch of bliss,
 Her faithful arms, her tender mother-breast;
I clasp her close, those sweetest lips I kiss,
And, at long last, I have my hour of rest.

*     *     *     *     *
Thou, too, my love, hast wandered far and wide,
And hast come home, where all thy wanderings cease.
The door is shut. Thy mate is at thy side.
Here is thy long-sought pillow. Sleep in peace.

Heed not the patter of the weeping eaves,
The groan of branches bending to the rain,
The sad tap-tapping of dead autumn leaves,
Like ghostly fingers, on the window-pane.
The wind-borne echoings, from east and west,
Of weeping woe and wailing agony;
All night they cry round thy beleaguered nest,
But fear them not, for thou art safe with me.

Let the sad world spin on, a trail of shame
 Amongst the myriad worlds. Whate'er befalls,
The great God knows that we are not to blame.
Our world is here, within our chamber walls.

In this asylum, secret and apart,
Whereof we keep the one and only key,
Rest thee, poor tired heart, upon my heart,
As all my weary being rests in thee.

Good-night! Good-night! Sleep deep and well, my bride.
The fight goes on, but we have won release.
Our wounds are healed, our tears are shed and dried.
Let the storms rage — they cannot break our peace.

*     *     *     *     *
Peace — is it peace? What is that form of fear
 That looms ahead? What distillation sours
The joy of life when thou, alive, art near,
And nought seems wanting to the perfect hours?

What chills my passion when I


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Poetic Form
Metre 1101010101 1101110101 1101010111 1101110101 110110111 11001110101 1111010101 0101011111 1111111101 11001011101 1101010101 0101110100 1111110111 1111111101 1101011101 1111111101 111011111 1001011101 1101110101 1101010101 111010011 111101111 1101010101 0111010111 110100101001 11010101 0111010101 0100011101 11101110101 01011100111 1011001101 110101010 1111001101 1111110111 1101010001 0111010101 1101111111 1101010101 1111111111 1101011111 1111111111 111111101 1101110111 1111010111 1110110111 1101010111 1111011101 1101111101 1 1111110001 1101110101 0101010101 1101101111 1111110101 1101010101 0101011101 1111011111 1011110101 1011010101 01001111101 1101001111 110101111 110101011 0111010001 0111011101 1111011111 0101010101 1101110111 01111111011 1 1111110101 01111111001 0111111111 1111110101 1101010101 0111010101 0111011101 1101010101 01111101 1101010100 1111110101 1111111111 1011110111 01010011001 0111111111 101110110101 0101010001 111010101 1111010111 1111010101 1111110111 0111111101 101111011101 10111101101 1 1111111111 1101101010 0111110111 01110100110 1111011
Closest metre Iambic pentameter
Characters 4,301
Words 816
Sentences 72
Stanzas 23
Stanza Lengths 4, 4, 4, 4, 4, 4, 4, 8, 4, 4, 4, 5, 4, 4, 4, 4, 5, 8, 4, 4, 4, 5, 1
Lines Amount 100
Letters per line (avg) 33
Words per line (avg) 9
Letters per stanza (avg) 142
Words per stanza (avg) 38
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Submitted on May 13, 2011

Modified on March 05, 2023

4:05 min read
115

Ada Cambridge

Ada Cambridge, later known as Ada Cross, was an English-born Australian writer. She wrote more than 25 works of fiction, three volumes of poetry and two autobiographical works. Many of her novels were serialised in Australian newspapers but never published in book form. While she was known to friends and family by her married name, Ada Cross, her newspaper readers knew her as A. C.. She later reverted to her maiden name, Ada Cambridge, and that is how she is known today.  more…

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