An Animal In The Moon.

Jean de La Fontaine 1621 (Château-Thierry) – 1695 (Paris)




  
While one philosopheraffirms
That by our senses we're deceived,
Anotherswears, in plainest terms,
The senses are to be believed.
The twain are right. Philosophy
Correctly calls us dupes whene'er
Upon mere senses we rely.
But when we wisely rectify
The raw report of eye or ear,
By distance, medium, circumstance,
In real knowledge we advance.
These things hath nature wisely plann'd -
Whereof the proof shall be at hand.
I see the sun: its dazzling glow
Seems but a hand-breadth here below;
But should I see it in its home,
That azure, star-besprinkled dome,
Of all the universe the eye,
Its blaze would fill one half the sky.
The powers of trigonometry
Have set my mind from blunder free.
The ignorant believe it flat;
I make it round, instead of that.
I fasten, fix, on nothing ground it,
And send the earth to travel round it.
In short, I contradict my eyes,
And sift the truth from constant lies.
The mind, not hasty at conclusion,
Resists the onset of illusion,
Forbids the sense to get the better,
And ne'er believes it to the letter.
Between my eyes, perhaps too ready,
And ears as much or more too slow,
A judge with balance true and steady,
I come, at last, some things to know.
Thus when the water crooks a stick,
My reason straightens it as quick -
Kind Mistress Reason - foe of error,
And best of shields from needless terror!
The creed is common with our race,
The moon contains a woman's face.
True? No. Whence, then, the notion,
From mountain top to ocean?
The roughness of that satellite,
Its hills and dales, of every grade,
Effect a change of light and shade
Deceptive to our feeble sight;
So that, besides the human face,
All sorts of creatures one might trace.
Indeed, a living beast, I ween,
Has lately been by England seen.
All duly placed the telescope,
And keen observers full of hope,
An animal entirely new,
In that fair planet, came to view.
Abroad and fast the wonder flew; -
Some change had taken place on high,
Presaging earthly changes nigh;
Perhaps, indeed, it might betoken
The warsthat had already broken
Out wildly o'er the Continent.
The king to see the wonder went:
(As patron of the sciences,
No right to go more plain than his.)
To him, in turn, distinct and clear,
This lunar monster did appear. -
A mouse, between the lenses caged,
Had caused these wars, so fiercely waged!
No doubt the happy English folks
Laugh'd at it as the best of jokes.
How soon will Mars afford the chance
For like amusements here in France!
He makes us reap broad fields of glory.
Our foes may fear the battle-ground;
For us, it is no sooner found,
Than Louis, with fresh laurels crown'd,
Bears higher up our country's story.
The daughters, too, of Memory, -
The Pleasures and the Graces, -
Still show their cheering faces:
We wish for peace, but do not sigh.
The English Charles the secret knows
To make the most of his repose.
And more than this, he'll know the way,
By valour, working sword in hand,
To bring his sea-encircled land
To share the fight it only sees to-day.
Yet, could he but this quarrel quell,
What incense-clouds would grateful swell!
What deed more worthy of his fame!
Augustus, Julius- pray, which Caesar's name
Shines now on story's page with purest flame?
O people happy in your sturdy hearts!
Say, when shall Peace pack up these bloody darts,
And send us all, like you, to softer arts?
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Submitted on August 03, 2020

Modified on April 05, 2023

3:03 min read
93

Quick analysis:

Scheme ABABCDEEDAAFFGGHHEEDCIIJJAAKKDDCGCGLLDDAAKKMNNMAAKOPPQQQEEKKRSAADDTTAAAACUUUCCAAEAAVFFVWWXXXAAA
Closest metre Iambic tetrameter
Characters 3,235
Words 600
Stanzas 1
Stanza Lengths 95

Jean de La Fontaine

Jean de La Fontaine, (8 July 1621 – 13 April 1695) was a famous French fabulist and one of the most widely read French poets of the 17th century. He is known above all for his Fables, which provided a model for subsequent fabulists across Europe and numerous alternative versions in France, and in French regional languages. After a long period of royal suspicion, he was at last admitted to the French Academy and his reputation in France has never faded since. Evidence of this is found in the many pictures and statues of the writer, as well as later depictions on medals, coins and postage stamps. more…

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