Two-An'-Six

Claude McKay 1889 (Clarendon Parish) – 1948 (Chicago)



Merry voices chatterin',
Nimble feet dem patterin',
Big an' little, faces gay,
Happy day dis market day.

Sateday, de marnin' break,
Soon, soon market-people wake;
An' de light shine from de moon
While dem boy, wid pantaloon
Roll up ober dem knee-pan,
'Tep across de buccra lan'
To de pastur whe' de harse
Feed along wid de jackass,
An' de mule cant' in de track
Wid him tail up in him back,
All de ketchin' to defy,
No ca' how dem boy might try.

In de early marnin'-tide,
When de cocks crow on de hill
An' de stars are shinin' still,
Mirrie by de fireside
Hots de coffee for de lads
Comin' ridin' on de pads
T'rown across dem animul--
Donkey, harse too, an' de mule,
Which at last had come do'n cool.
On de bit dem hol' dem full:
Racin' ober pastur' lan',
See dem comin' ebery man,
Comin' fe de steamin' tea
Ober hilly track an' lea.

Hard-wuk'd donkey on de road
Trottin' wid him ushal load,
Hamper pack' wi' yam an' grain,
Sour-sop, and Gub'nor cane.

Cous' Sun sits in hired dray,
Drivin' 'long de market way;
Whole week grindin' sugar cane
T'rough de boilin' sun an' rain,
Now, a'ter de toilin' hard,
He goes seekin' his reward,
While he's thinkin' in him min'
Of de dear ones lef behin',
Of de loved though ailin' wife,
Darlin' treasure of his life,
An' de picknies, six in all,
Whose 'nuff burdens 'pon him fall:
Seben lovin' ones in need,
Seben hungry mouths fe feed;
On deir wants he thinks alone,
Neber dreamin' of his own,
But gwin' on wid joyful face
Till him re'ch de market-place.

Sugar bears no price to-day,
Though it is de mont' o' May,
When de time is hellish hot,
An' de water cocoanut
An' de cane bebridge is nice,
Mix' up wid a lilly ice.
Big an' little, great an' small,
Afou yam is all de call;
Sugar tup an' gill a quart,
Yet de people hab de heart
Wantin' brater top o' i',
Want de sweatin' higgler fe
Ram de pan an' pile i' up,
Yet sell i' fe so-so tup.

Cousin Sun is lookin' sad,
As de market is so bad;
'Pon him han' him res' him chin,
Quietly sit do'n thinkin'
Of de loved wife sick in bed,
An' de children to be fed--
What de laborers would say
When dem know him couldn' pay;
Also what about de mill
Whe' him hire from ole Bill;
So him think, an' think on so,
Till him t'oughts no more could go.

Then he got up an' began
Pickin' up him sugar-pan:
In his ears rang t'rough de din
'Only two-an'-six a tin'.'
What a tale he'd got to tell,
How bad, bad de sugar sell!
Tekin' out de lee amount,
Him set do'n an' begin count
All de time him min' deh doubt
How expenses would pay out;
Ah, it gnawed him like de ticks,
Sugar sell fe two-an'-six!

So he journeys on de way,
Feelinl sad dis market day;
No e'en buy a little cake
To gi'e baby when she wake,--
Passin' 'long de candy-shop
'Douten eben mek a stop
To buy drops fe las'y son,
For de lilly cash nea' done.
So him re'ch him own a groun',
An' de children scamper roun',
Each one stretchin' out him han',
Lookin' to de poor sad man.

Oh, how much he felt de blow,
As he watched dem face fall low,
When dem wait an' nuttin' came
An' drew back deir han's wid shame!
But de sick wife kissed his brow:
'Sun, don't get down-hearted now;
Ef we only pay expense
We mus' wuk we common-sense,
Cut an' carve, an' carve an' cut,
Mek gill sarbe fe quattiewut;
We mus' try mek two ends meet
Neber mind how hard be it.
We won't mind de haul an' pull,
While dem pickny belly full.'

An' de shadow lef' him face,
An' him felt an inward peace,
As he blessed his better part
For her sweet an' gentle heart:
'Dear one o' my heart, my breat',
Won't I lub you to de deat'?
When my heart is weak an' sad,
Who but you can mek it glad?'

So dey kissed an' kissed again,
An' deir t'oughts were not on pain,
But was 'way down in de sout'
Where dey'd wedded in deir yout',
In de marnin' of deir life
Free from all de grief an' strife,
Happy in de marnin' light,
Never thinkin' of de night.

So dey k'lated eberyt'ing;
An' de profit it could bring,
A'ter all de business fix',
Was a princely two-an'-six.

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Submitted on May 13, 2011

Modified on March 05, 2023

4:01 min read
109

Quick analysis:

Scheme AABB CCAAAADDEEFF GHHGDDHIIJAAKK LLAA BBAAXXAAMMNNOOAADD BBXGDDNNXPFBQQ RRAASSBBHHDT AAAAUUVVWWDD BBCCXXAAAAAA TTYYXADDXGXXJJ DDPPGGRR AAGGMMZZ BXDD
Closest metre Iambic tetrameter
Characters 3,819
Words 778
Stanzas 13
Stanza Lengths 4, 12, 14, 4, 18, 14, 12, 12, 12, 14, 8, 8, 4

Claude McKay

Festus Claudius "Claude" McKay was a Jamaican-American writer and poet, who was a seminal figure in the Harlem Renaissance. He wrote four novels: Home to Harlem, a best-seller that won the Harmon Gold Award for Literature, Banjo, Banana Bottom, and in 1941 a manuscript called Amiable With Big Teeth: A Novel of the Love Affair Between the Communists and the Poor Black Sheep of Harlem that has not yet been published. McKay also authored collections of poetry, a collection of short stories, Gingertown, two autobiographical books, A Long Way from Home and My Green Hills of Jamaica, and a non-fiction, socio-historical treatise entitled Harlem: Negro Metropolis. His 1922 poetry collection, Harlem Shadows, was among the first books published during the Harlem Renaissance. His Selected Poems was published posthumously, in 1953. McKay was attracted to communism in his early life, but he always asserted that he never became an official member of the Communist Party USA. However, some scholars dispute the claim that he was not a communist at that time, noting his close ties to active members, his attendance at communist-led events, and his months-long stay in the Soviet Union in 1922–23, which he wrote about very favorably. He gradually became disillusioned with communism, however, and by the mid-1930s, he had begun to write negatively about it. more…

All Claude McKay poems | Claude McKay Books

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