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A Mirage.

Were I thy bride,
Then the whole world beside
Were not too wide
To hold my wealth of love
Were I thy bride!
Upon thy breast
My loving head would rest,
As on her nest
The tender turtle dove
Were I thy bride!
 
This heart of mine
Would be one heart with thine,
And in that shrine
Our happiness would dwell
Were I thy bride!
And all day long
Our lives should be a song:
No grief, no wrong
Should make my heart rebel
Were I thy bride!
 
The silvery flute,
The melancholy lute,
Were night owl's hoot
To my low-whispered coo
Were I thy bride!
The skylark's trill
Were but discordance shrill
To the soft thrill
Of wooing as I'd woo
Were I thy bride!
 
The rose's sigh
Were as a carrion's cry
To lullaby
Such as I'd sing to thee,
Were I thy bride!
A feather's press
Were leaden heaviness
To my caress.
But then, unhappily,
I'm not thy bride!
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Submitted on August 03, 2020

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William Schwenck Gilbert

Sir William Schwenck Gilbert was an English dramatist librettist poet and illustrator best known for his fourteen comic operas produced in collaboration with the composer Sir Arthur Sullivan of which the most famous include HMS Pinafore The Pirates of Penzance and one of the most frequently performed works in the history of musical theatre The Mikado These as well as most of their other Savoy operas continue to be performed regularly throughout the English-speaking world and beyond by opera companies repertory companies schools and community theatre groups Lines from these works have become part of the English language such as short sharp shock What never Well hardly ever and Let the punishment fit the crime Gilbert also wrote the Bab Ballads an extensive collection of light verse accompanied by his own comical drawings His creative output included over 75 plays and libretti numerous stories poems lyrics and various other comic and serious pieces His plays and realistic style of stage direction inspired other dramatists including Oscar Wilde and George Bernard Shaw According to The Cambridge History of English and American Literature Gilberts lyrical facility and his mastery of metre raised the poetical quality of comic opera to a position that it had never reached before and has not reached since Source - Wikipedia more…

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