Lost Pleiad, The

Arthur Reed Ropes 1859 (United Kingdom) – 1933 (Kensington)




'Twas a pretty little maiden
In a garden gray and old,
Where the apple trees were laden
With the magic fruit of gold;
But she strayed beyond the portal
Of the garden of the Sun,
And she flirted with a mortal,
Which she oughtn't to have done!
For a giant was her father and a goddess was her mother,
She was Merope or Sterope, the one or else the other;
And the man was not the equal, though presentable and rich,
Of Merope or Sterope, I don't remember which!
  
Now the giant's daughters seven,
She among them, if you please,
Were translated to the heaven
As the starry Pleiades!
But amid their constellation
One alone was always dark,
For she shrank from observation
Or censorious remark.
  
She had yielded to a mortal when he came to flirt and flatter.
She was Merope or Sterope, the former or the latter;
So the planets all ignored her, and the comets wouldn't call
On Merope or Sterope, I am not sure at all!
  
But the Dog-star, brightly shining
In the hottest of July,
Saw the pretty Pleiad pining
In the shadow of the sky,
And he courted her and kissed her
Till she kindled into light;
And the Pleiads' erring sister
Was the lady of the night!
  
So her former indiscretion as a fault was never reckoned,
To Merope or Sterope, the first or else the second,
And you'll never see so rigidly respectable a dame
As Merope or Sterope, I can't recall her name!
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Submitted on August 03, 2020

Modified on March 05, 2023

1:18 min read
10

Quick analysis:

Scheme ABABCACADDEE AFAFAGAG DDHH IJIJDKDK LLMM
Closest metre Iambic pentameter
Characters 1,328
Words 257
Stanzas 5
Stanza Lengths 12, 8, 4, 8, 4

Arthur Reed Ropes

Arthur Reed Ropes (23 December 1859 – 11 September 1933), better known under the pseudonym Adrian Ross, was a prolific writer of lyrics, contributing songs to more than sixty British musical comedies in the late 19th and early 20th centuries. He was the most important lyricist of the British stage during a career that spanned five decades. At a time when few shows had long runs, nineteen of his West End shows ran for over 400 performances. Starting out in the late 1880s, Ross wrote the lyrics for the earliest British musical theatre hits, including In Town (1892), The Shop Girl (1894) and The Circus Girl (1896). Ross next wrote the lyrics for a string of hit musicals, beginning with A Greek Slave (1898), San Toy (1899), The Messenger Boy (1900) and The Toreador (1901) and continuing without a break through World War I. He also wrote the English lyrics for a series of hit adaptations of European operettas beginning with The Merry Widow in 1907. During World War I, Ross was one of the founders of the Performing Rights Society. He continued writing until 1930, producing several more successes after the war. He also wrote the popular novel The Hole of the Pit and a number of short stories.  more…

All Arthur Reed Ropes poems | Arthur Reed Ropes Books

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