The Fairy of the Fountains - Part II - continued



Gazing on one worshipped brow,
When hath lover spared a vow?
With an oath and with a prayer
Did he win the prize he sought.
Never was a bride so fair
As the bride that Raymond brought
From the wood's enchanted bowers
To his old ancestral towers.
----Oh, sweet love, could thy first prime
Linger on the steps of time,
Man would dream the unkind skies
Sheltered still a Paradise.
But, alas, the serpent's skill
Is amid our garden still.
    Soon a dark inquiring thought
On the baron's spirit wrought:
She, who seemed to love him so,
Had she aught he might not know?
Was it wo, how could she bear
Grief he did not soothe nor share?
Was it guilt? no--heaven's own grace
Lightened in that loveliest face.
Then his jealous fancies rose,
(Our Lady keep the mind from those!)
Like a fire within the brain,
Maddens that consuming pain.
Henceforth is no rest by night,
Henceforth day has no delight.
Life hath agonies that tell
Of their late left native hell.
But mid their despair is none
Like that of the jealous one.
    'Tis again the fatal day,
When the ladye must away,
To her lonely palace made
Far within the forest shade,
Where the mournful fountains sweep
With a voice that seems to weep.
On that morn Lord Raymond's bride
Ere the daybreak leaves his side.
Never does the ladye speak
But her tears are on his cheek,
And he hears a stifled moan
As she leaves him thus alone.
Hath she then complaint to make,
Is there yet some spell to break?
Come what will, of weal or wo,
'Tis the best the worst to know.

He hath followed--wo, for both,
That the knight forgot his oath.
    Where the silvery fountains fall,
Stands no more the charmed hall;
But the dismal yew-trees droop,
And the pines above them stoop,
While the gloomy branches spread,
As they would above the dead,
In some churchyard large and drear
Haunted with perpetual fear.
Dark and still like some vast grave,
Near there yawns a night-black cave.
O'er its mouth wild ivy twines
There the daylight never shines.
Beast of prey or dragon's lair,
Yet the knight hath entered there.
    Dimly doth the distant day
Scatter an uncertain ray,
While strange shapes and ghastly eyes
Mid the spectral darkness rise.
But he hurries on, and near
He sees a sudden light appear,
Wan and cold like that strange lamp
Which amid the charnel's damp
Shows but brightens not the gloom
Of the corpse and of the tomb.
With a cautious step he steals
To the cave that light reveals.
'Tis such grotto as might be,
Nereïd's home beneath the sea.
Crested with the small bright stars
Of a thousand rainbow spars.
And a fountain from the side
Pours beneath its crystal tide,
In a white and marble bath
Singing on its silvery path;
While a meteor's emerald rays
O'er the lucid water plays.—
Close beside, with wild flowers laid,
Is a couch of green moss made.
There he sees his lady lie;
Pain is in her languid eye,
And amid her hair the dew
Half obscures its golden hue;
Damp and heavy, and unbound,
Its wan clusters sweep around.
On her small hand leans her head,--
See the fevered cheek is red,
And the fiery colour rushes
To her brow in hectic blushes.—
What strange vigil is she keeping!
He can hear that she is weeping.—
He will fling him at her feet,
    He will kiss away her tears.
Ah, what doth his wild eyes meet,
    What below that form appears?
Downwards from that slender waist,
By a golden zone embraced,
Do the many folds escape,
Of the subtle serpent's shape.—
Bright with many-coloured dyes
All the glittering scales arise,
With a red and purple glow
Colouring the waves below!
At the strange and fearful sight,
Stands in mute despair the knight,--
Soon to feel a worse despair,
Melusina sees him there!
And to see him is to part
With the idol of her heart,
Part as just the setting sun
Tells the fatal day is done.
Vanish all those serpent rings,
To her feet the lady springs,
And the shriek rings through the cell,
Of despairing love's farewell,--
Hope and happiness are o'er,
They can meet on earth no more.
  *     *     *     *     *     *     *
Years have past since this wild tale—
Still is heard that lady's wail,
Ever round that ancient tower,
Ere its lord's appointed hour.
With a low and moaning breath
She must mark approaching death,
While remains Lord Raymond's line
Doomed to wander and to pine.
Yet, before the stars are bright,
On the evening's purple light,
She beside the fountain stands
Wringing sad her shadowy hands.
May our Lady,as long years
Pass with their atoning tears,
Pardon with her love divine
The fountain fairy--Melusine!

THE Legend, on which this story is founded, is immediately taken from Mr. Thomas’s most interesting collection. I have allowed myself some licence, in my arrangement of the story : but fairy tales have an old-established privilege of change ; at least, if we judge by the various shapes which they assume in the progress of time, and by process of translation.
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Submitted by Madeleine Quinn on November 14, 2015

Modified on March 05, 2023

4:29 min read
132

Quick analysis:

Scheme Text too long
Closest metre Iambic tetrameter
Characters 4,734
Words 881
Stanzas 3
Stanza Lengths 48, 95, 1

Letitia Elizabeth Landon

Letitia Elizabeth Landon was an English poet. Born 14th August 1802 at 25 Hans Place, Chelsea, she lived through the most productive period of her life nearby, at No.22. A precocious child with a natural gift for poetry, she was driven by the financial needs of her family to become a professional writer and thus a target for malicious gossip (although her three children by William Jerdan were successfully hidden from the public). In 1838, she married George Maclean, governor of Cape Coast Castle on the Gold Coast, whence she travelled, only to die a few months later (15th October) of a fatal heart condition. Behind her post-Romantic style of sentimentality lie preoccupations with art, decay and loss that give her poetry its characteristic intensity and in this vein she attempted to reinterpret some of the great male texts from a woman’s perspective. Her originality rapidly led to her being one of the most read authors of her day and her influence, commencing with Tennyson in England and Poe in America, was long-lasting. However, Victorian attitudes led to her poetry being misrepresented and she became excluded from the canon of English literature, where she belongs. more…

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