Joy To The Followers of The Lord

Anna Laetitia Barbauld 1743 (Kibworth) – 1825 (Stoke Newington)



Joy to the followers of the Lord!
Thus saith the sure the eternal word.
Not of earth the joy it brings,
Tempered in celestial springs:
'Tis the joy of pardoned sin,
When conscience cries, 'Tis well within;
'Tis the joy that fills the breast
When the passions sink to rest:
'Tis a joy that, seated deep,
Leaves not when we sigh and weep;
It spreads itself in virtuous deeds,
With sorrow sighs, in pity bleeds.

Stern and awful are its tones
When the patriot martyr groans,
And the throbbing pulse beats high
To rapture, mixed with agony.
A tenderer, softer form it wears,
Dissolved in love, dissolved in tears,
When humble souls a Saviour greet,
And sinners clasp the mercy-seat.
'Tis joy e'en here! a budding flower,
Struggling with snows and storm and shower,
And waits the moment to expand,
Transplanted to its native land.

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Submitted on May 13, 2011

Modified on March 05, 2023

44 sec read
58

Quick analysis:

Scheme XXAABBCCDDEE FFXXGGHHIIJJ
Closest metre Iambic tetrameter
Characters 809
Words 147
Stanzas 2
Stanza Lengths 12, 12

Anna Laetitia Barbauld

Anna Laetitia Barbauld was a prominent English poet, essayist, literary critic, editor, and children's author. A "woman of letters" who published in multiple genres, Barbauld had a successful writing career at a time when female professional writers were rare. She was a noted teacher at the Palgrave Academy and an innovative children's writer; her primers provided a model for pedagogy for more than a century. Her essays demonstrated that it was possible for a woman to be publicly engaged in politics, and other women authors such as Elizabeth Benger emulated her. Barbauld's literary career spanned numerous periods in British literary history: her work promoted the values of both the Enlightenment and Sensibility, and her poetry was foundational to the development of British Romanticism. Barbauld was also a literary critic, and her anthology of 18th-century British novels helped establish the canon as known today. Barbauld's career as a poet ended abruptly in 1812 with the publication of Eighteen Hundred and Eleven, which criticised Britain's participation in the Napoleonic Wars. Vicious reviews shocked Barbauld, and she published nothing else during her lifetime. more…

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