On A Fortification At Boston Begun By Women

Benjamin Tompson 1642 – 1714



A Grand attempt some Amazonian Dames
Contrive whereby to glorify their names,
A Ruff for Boston Neck of mud and turfe,
Reaching from side to side from surfe to surfe,
Their nimble hands spin up like Christmas pyes,
Their pastry by degrees on high doth rise.
The wheel at home counts it an holiday,
Since while the Mistris worketh it may play.
A tribe of female hands, but manly hearts
Forsake at home their pasty-crust and tarts
To knead the dirt, the samplers down they hurle,
Their undulating silks they closely furle.
The pick-axe one as a Commandress holds,
While t'other at her awkness gently scolds.
One puffs and sweats, the other mutters why
Cant you promove your work so fast as I?
Some dig, some delve, and others hands do feel
The little waggons weight with single wheel.
And least some fainting fits the weak surprize,
They want no sack nor cakes, they are more wise.
These brave essayes draw forth Male stronger hands
More like to Dawbers then to Martial bands:
These do the work, and sturdy bulwarks raise,
But the beginners well deserve the praise.

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Submitted on May 13, 2011

Modified on March 05, 2023

57 sec read
120

Quick analysis:

Scheme AABBACDDEEFFGGHHFFACIIJJ
Closest metre Iambic pentameter
Characters 1,048
Words 190
Stanzas 1
Stanza Lengths 24

Benjamin Tompson

Among the first native-born Anglo-American poets, Tompson was born into a family of zealous Puritans. He became a schoolmaster for several towns around Boston, his most famous pupil being Cotton Mather. Tompson’s fame as a poet arose from his volume New Englands Crisis (1676) and its revision New Englands Tears (London, 1676), a verse epic treating the war with the Algonkian Confederation during the 1670s as a test of the faith of the elect in New England. This poet’s best vein is satiric,—his favorite organ being the rhymed pentameter couplet, with a flow, a vigor, and an edge obviously caught from the contemporaneous verse of John Dryden. He has the partisanship, the exaggeration, the choleric injustice, that are common in satire; and like other satirists, failing to note the moral perspectives of history, he utters over again the stale and easy lie, wherein the past is held up as wiser and holier than the present. Though New England has had a life but little more than fifty years long, the poet sees within it the tokens of a hurrying degeneracy, in customs, in morals, in valor, in piety. more…

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