Tis Hard

Augusta Davies Webster 1837 (Poole, Dorset) – 1894



'Tis hard that the full summer of our round
Is but the turn where winter's sign-post's writ;
That to have reached the best is leaving it;
That final loss bears date from having found.
So some proud vessel in a narrow sound
Sails at high water with the fair wind fit,
And lo! the ebb along the sandy spit,
Lower and lower till she jars, aground.

'Tis hard. We are young still but more content;
'Tis our ripe flush, the heyday of our prime;
We learn full breath, how rich of the air we are!
But suddenly we note a touch of time,
A little fleck that scarcely seems to mar;
And we know then that some time since youth went.

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Submitted on May 13, 2011

Modified on March 05, 2023

37 sec read
73

Quick analysis:

Scheme ABBAABBA CDEDEC
Closest metre Iambic pentameter
Characters 627
Words 123
Stanzas 2
Stanza Lengths 8, 6

Augusta Davies Webster

Augusta Webster born in Poole, Dorset as Julia Augusta Davies, was an English poet, dramatist, essayist, and translator. The daughter of Vice-admiral George Davies and Julia Hume, she spent her younger years on board the ship he was stationed, the Griper. She studied Greek at home, taking a particular interest in Greek drama, and went on to study at the Cambridge School of Art. She published her first volume of poetry in 1860 under the pen name Cecil Homes. In 1863, she married Thomas Webster, a fellow at Trinity College, Cambridge. They had a daughter, Augusta Georgiana, who married Reverend George Theobald Bourke, a younger son of the Joseph Bourke, 3rd Earl of Mayo. Much of Webster's writing explored the condition of women, and she was a strong advocate of women's right to vote, working for the London branch of the National Committee for Women's Suffrage. She was the first female writer to hold elective office, having been elected to the London School Board in 1879 and 1885. In 1885 she travelled to Italy in an attempt to improve her failing health. She died on 5 September 1894, aged 57. During her lifetime her writing was acclaimed and she was considered by some the successor to Elizabeth Barrett Browning. After her death, however, her reputation quickly declined. Since the mid-1990s she has gained increasing critical attention from scholars such as Isobel Armstrong, Angela Leighton, and Christine Sutphin. Her best-known poems include three long dramatic monologues spoken by women: A Castaway, Circe, and The Happiest Girl In The World, as well as a posthumously published sonnet-sequence, "Mother and Daughter". more…

All Augusta Davies Webster poems | Augusta Davies Webster Books

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