The Oldest Inhabitant



'AND when came I to this town?' did he say!
A question asked for the asking's sake,
Answered merely an answer to make,
As stranger to stranger may;
Answered enough with ''Twas yesterday,'
And a talk of the journey travelled so fast.
Had I said, 'Since I dwelt here first have passed
Hundreds of years away'!

Aye, and there be who, if they knew,
Would envy me, as a cripple must long,
Looking on limbs erect and strong,
To have his freedom given him too
And rise and reach to whither he would:
'What!' they would think, 'Is the gift not good
Beyond all gifts for earth or for time?
Life, and no shadow of death o'ercast,
Life, and the joy of manhood's prime,
Life, and the lore of a boundless past,
Life, and still life to come and to last! '
And I even, even now,
I know not what that spirit might be,
Whether of love or of hate to me,
That stood in the dusk on the mountain's brow,
Alone with the stars I had climbed to see nigh,
And smiled, and gave, and was no more there.
There was no trace broke the sky,
There was no breath stirred the air,
Nought from the heaven or the earth to tell
If it were well:
And how much surer to-day know I
Whether he meant me a boon or a curse,
Whether to wait or to die be worse?

Ah, how I joyed for so many years!
Death under my heel with his hindering fears,
And I the lord of my life for ever!
Leisure and labour limitless,
And always the joy of the earned success
Crowned with the joy of the new endeavour!
And I thought 'I will make all wisdoms mine;'
And I thought 'The world shall be glad of me.'
Ah, how I joyed! for could I divine
What the fruit of immortal days must be?
But alas for the numbness of wont on all,
For the heart that has loved too often to prize,
For the eyes that have wept too often for tears,
For the listless feet and the careless ears,
For the brain that has learned that to learn is vain,
For forgotten joy and forgotten pain,
For the life too frequent for memories!
And I taste no joy because it will pall,
And I watch no grace because it will wane,
And I seek no good for it will not remain,
And I knit no tie because it will sever.

If I were not alone: if the gift were shared
With but some one soul in the world beside,
Some one for whom I might have cared,
Who would not so soon have grown old and died.
But ever and ever to build all anew,
And ever and ever to see all decay;
To fashion my life as the others do
And have my place among fellow-men,
To sit content in my home—and then
To have lived, and the rest has faded away:
There are the graves, and I part of the past,
Forgotten with them whom I outlast.
Let it be; 'tis a foolish game,
The game that children play on the beach,
With its ending always the same,
Building amain till the tide-waves reach
And the sands will be bare to build on to-morrow.
Let it be; for what is the worth?
Long since I wearied of saying good-bye:
And what or whom should I cherish on earth
Where I go as might one from some world on high
Unmeet for the short-lived pleasure or sorrow?
Only the men who look to die
Can have or hope in a world where death reigns:
Do I pity that slight ephemerous fly,
Whirling and resting there in the sun,
Because his day will be so soon done?
All remains while his day remains;
He will not have known that a rosebud wanes.
How if he lived for ever, as I?

Truly 'tis even so,
To die betimes is scarcely to know
How death is around us everywhere.
But ever for me the birth and blow
Are but a part of decay that is there,
And the living come but to go:
Till at length I am one who, drawing aside,
Where the crowd sweeps by in one jostling race,
Stands unstirred in his lonely place
And leaves off noting face after face;
I am one who wait stranded, alone, by the tide
Of Life, which has also Death for name
Because for the world the two are the same,
The tide that goes winding back whence it came,
Bearing all thither save me;
And I dream and I scarcely seem to be,
And I know no count of time as it flies,
And the river passes, passes, passes,
Smooth and for ever, and changelessly glasses
Summers and winters and changing skies,
Passes, and passes, and passes,
And nothing abides and nothing is strange;
And oh for rest to my languid eyes
Weary of change that is never change!

Ah! men might marvel to hear me say
The world of my youth is the world of to-day;
Here, in this very home of my birth,
How they would answer from some old book,
'Thus and thus was the past; n
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Submitted on May 13, 2011

Modified on March 05, 2023

4:24 min read
59

Quick analysis:

Scheme ABBAACCA DEEDFFGCGCCHIIHJKJKLLJMM NNOXXOPIPIXQXNRRXXRRO STSTDADUUACCVWVWXYJYJXJZJ1 1 ZZJ XXKXKXT2 2 2 TVVVIIQ3 3 Q3 4 Q4 AAYXU
Closest metre Iambic pentameter
Characters 4,306
Words 884
Stanzas 6
Stanza Lengths 8, 24, 21, 30, 24, 5

Augusta Davies Webster

Augusta Webster born in Poole, Dorset as Julia Augusta Davies, was an English poet, dramatist, essayist, and translator. The daughter of Vice-admiral George Davies and Julia Hume, she spent her younger years on board the ship he was stationed, the Griper. She studied Greek at home, taking a particular interest in Greek drama, and went on to study at the Cambridge School of Art. She published her first volume of poetry in 1860 under the pen name Cecil Homes. In 1863, she married Thomas Webster, a fellow at Trinity College, Cambridge. They had a daughter, Augusta Georgiana, who married Reverend George Theobald Bourke, a younger son of the Joseph Bourke, 3rd Earl of Mayo. Much of Webster's writing explored the condition of women, and she was a strong advocate of women's right to vote, working for the London branch of the National Committee for Women's Suffrage. She was the first female writer to hold elective office, having been elected to the London School Board in 1879 and 1885. In 1885 she travelled to Italy in an attempt to improve her failing health. She died on 5 September 1894, aged 57. During her lifetime her writing was acclaimed and she was considered by some the successor to Elizabeth Barrett Browning. After her death, however, her reputation quickly declined. Since the mid-1990s she has gained increasing critical attention from scholars such as Isobel Armstrong, Angela Leighton, and Christine Sutphin. Her best-known poems include three long dramatic monologues spoken by women: A Castaway, Circe, and The Happiest Girl In The World, as well as a posthumously published sonnet-sequence, "Mother and Daughter". more…

All Augusta Davies Webster poems | Augusta Davies Webster Books

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