The Happiest Girl in the World



A week ago; only a little week:
it seems so much much longer, though that day
is every morning still my yesterday;
as all my life 'twill be my yesterday,
for all my life is morrow to my love.
Oh fortunate morrow! Oh sweet happy love!

A week ago; and I am almost glad
to have him now gone for this little while,
that I may think of him and tell myself
what to be his means, now that I am his,
and know if mine is love enough for him,
and make myself believe it all is true.

A week ago; and it seems like a life,
and I have not yet learned to know myself:
I am so other than I was, so strange,
grown younger and grown older all in one;
and I am not so sad and not so gay;
and I think nothing, only hear him think.

That morning, waking, I remembered him
"Will he be here to-day? he often comes; --
and is it for my sake or to kill time?"
and, wondering "Will he come?" I chose the dress
he seemed to like the best, and hoped for him;
and did not think I could quite love him yet.
And did I love him then with all my heart?
or did I wait until he held my hands
and spoke "Say, shall it be?" and kissed my brow,
and I looked at him and he knew it all?

And did I love him from the day we met?
but I more gladly danced with some one else
who waltzed more smoothly and was merrier:
and did I love him when he first came here?
but I more gladly talked with some one else
whose words were readier and who sought me more.
When did I love him? How did it begin?

The small green spikes of snowdrops in the spring
are there one morning ere you think of them;
still we may tell what morning they pierced up:
June rosebuds stir and open stealthily,
and every new blown rose is a surprise;
still we can date the day when one unclosed:
but how can I tell when my love began?

Oh, was it like the young pale twilight star
that quietly breaks on the vacant sky,
is sudden there and perfect while you watch,
and, though you watch, you have not seen it dawn,
the star that only waited and awoke?

But he knows when he loved me; for he says
the first time we had met he told a friend
"The sweetest dewy daisy of a girl,
but not the solid stuff to make a wife;"
and afterwards the first time he was here,
when I had slipped away into our field
to watch alone for sunset brightening on
and heard them calling me, he says he stood
and saw me come along the coppice walk
beneath the green and sparkling arch of boughs,
and, while he watched the yellow lights that played
with the dim flickering shadows of the leaves
over my yellow hair and soft pale dress,
flitting across me as I flitted through,
he whispered inly, in so many words,
"I see my wife; this is my wife who comes,
and seems to bear the sunlight on with her:"
and that was when he loved me, so he says.

Yet is he quite sure? was it only then?
and had he had no thought which I could feel?
for why was it I knew that he would watch,
and all the while thought in my silly heart,
as I advanced demurely, it was well
I had on the pale dress with sweeping folds
which took the light and shadow tenderly,
and that the sunlights touched my hair and cheek,
because he'd note it all and care for it?

Oh vain and idle poor girl's heart of mine,
content with that coquettish mean content!
He, with his man's straight purpose, thinking "wife,"
and I but that 'twas pleasant to be fair
and that 'twas pleasant he should count me fair.
But oh, to think he should be loving me
and I be no more moved out of myself!
The sunbeams told him, but they told me nought,
except that maybe I was looking well.
And oh had I but known! Why did no bird,
trilling its own sweet lovesong, as I passed,
so musically marvellously glad,
sing one for me too, sing me "It is he,"
sing "Love him," and "You love him: it is he,"
that I might then have loved him when he loved,
that one dear moment might be date to both?

And must I not be glad he hid his thought
and did not tell me then, when it was soon
and I should have been startled, and not known
how he is just the one man I can love,
and, only with some pain lest he were pained,
and nothing doubting, should have answered "No."
How strange life is! I should have answered "No."
Oh, can I ever be half glad enough
he is so wise and patient and could wait!

He waited as you wait the reddening fruit
which helplessly is ripening on the tree,
and not because it tr
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Submitted on May 13, 2011

Modified on May 01, 2023

4:23 min read
177

Quick analysis:

Scheme ABBBCC DEFXGH IFXXBX GJXKGLMXXX LNOPNXX XXXEXBX XXQXX RXXIPXXXXXXXKHXJOR XXQMSXTAX XXIUUTFBSXXDTTXX XXXCXVVXX XTH
Closest metre Iambic pentameter
Characters 4,218
Words 887
Stanzas 12
Stanza Lengths 6, 6, 6, 10, 7, 7, 5, 18, 9, 16, 9, 3

Augusta Davies Webster

Augusta Webster born in Poole, Dorset as Julia Augusta Davies, was an English poet, dramatist, essayist, and translator. The daughter of Vice-admiral George Davies and Julia Hume, she spent her younger years on board the ship he was stationed, the Griper. She studied Greek at home, taking a particular interest in Greek drama, and went on to study at the Cambridge School of Art. She published her first volume of poetry in 1860 under the pen name Cecil Homes. In 1863, she married Thomas Webster, a fellow at Trinity College, Cambridge. They had a daughter, Augusta Georgiana, who married Reverend George Theobald Bourke, a younger son of the Joseph Bourke, 3rd Earl of Mayo. Much of Webster's writing explored the condition of women, and she was a strong advocate of women's right to vote, working for the London branch of the National Committee for Women's Suffrage. She was the first female writer to hold elective office, having been elected to the London School Board in 1879 and 1885. In 1885 she travelled to Italy in an attempt to improve her failing health. She died on 5 September 1894, aged 57. During her lifetime her writing was acclaimed and she was considered by some the successor to Elizabeth Barrett Browning. After her death, however, her reputation quickly declined. Since the mid-1990s she has gained increasing critical attention from scholars such as Isobel Armstrong, Angela Leighton, and Christine Sutphin. Her best-known poems include three long dramatic monologues spoken by women: A Castaway, Circe, and The Happiest Girl In The World, as well as a posthumously published sonnet-sequence, "Mother and Daughter". more…

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