Circe



The sun drops luridly into the west;
darkness has raised her arms to draw him down
before the time, not waiting as of wont
till he has come to her behind the sea;
and the smooth waves grow sullen in the gloom
and wear their threatening purple; more and more
the plain of waters sways and seems to rise
convexly from its level of the shores;
and low dull thunder rolls along the beach:
there will be storm at last, storm, glorious storm.

Oh welcome, welcome, though it rend my bowers,
scattering my blossomed roses like the dust,
splitting the shrieking branches, tossing down
my riotous vines with their young half-tinged grapes
like small round amethysts or beryls strung
tumultuously in clusters, though it sate
its ravenous spite among my goodliest pines
standing there round and still against the sky
that makes blue lakes between their sombre tufts,
or harry from my silvery olive slopes
some hoary king whose gnarled fantastic limbs
wear crooked armour of a thousand years;
though it will hurl high on my flowery shores
the hostile wave that rives at the poor sward
and drags it down the slants, that swirls its foam
over my terraces, shakes their firm blocks
of great bright marbles into tumbled heaps,
and makes my preached and mossy labyrinths,
where the small odorous blossoms grow like stars
strewn in the milky way, a briny marsh.
What matter? let it come and bring me change,
breaking the sickly sweet monotony.

I am too weary of this long bright calm;
always the same blue sky, always the sea
the same blue perfect likeness of the sky,
one rose to match the other that has waned,
to-morrow's dawn the twin of yesterday's;
and every night the ceaseless crickets chirp
the same long joy and the late strain of birds
repeats their strain of all the even month;
and changelessly the petty plashing surfs
bubble their chiming burden round the stones;
dusk after dusk brings the same languid trance
upon the shadowy hills, and in the fields
the waves of fireflies come and go the same,
making the very flash of light and stir
vex one like dronings of the spinning wheel.

Give me some change. Must life be only sweet,
all honey-pap as babes would have their food?
And, if my heart must always be adrowse
in a hush of stagnant sunshine, give me then
something outside me stirring; let the storm
break up the sluggish beauty, let it fall
beaten below the feet of passionate winds,
and then to-morrow waken jubilant
in a new birth: let me see subtle joy
of anguish and of hopes, of change and growth.

What fate is mine who, far apart from pains
and fears and turmoils of the cross-grained world,
dwell, like a lonely god, in a charmed isle
where I am first and only, and, like one
who should love poisonous savours more than mead,
long for a tempest on me and grow sick
of resting, and divine free carelessness!
Oh me, I am a woman, not a god;
yea, those who tend me even are more than I,
my nymphs who have the souls of flowers and birds
singing and blossoming immortally.

Ah me! these love a day and laugh again,
and loving, laughing, find a full content;
but I know nought of peace, and have not loved.

Where is my love? Does some one cry for me,
not knowing whom he calls? does his soul cry
for mine to grow beside it, grow in it?
does he beseech the gods to give him me,
the one unknown rare woman by whose side
no other woman, thrice as beautiful,
should once seem fair to him; to whose voice heard
in any common tones no sweetest sound
of love made melody on silver lutes,
or singing like Apollo's when the gods
grow pale with happy listening, might be peered
for making music to him; whom once found
there will be no more seeking anything?

Oh love, oh love, oh love, art not yet come
out of the waiting shadows into life?
art not yet come after so many years
that I have longed for thee? Come! I am here.

Not yet. For surely I should feel a sound
of his far answering, if now in the world
he sought me who will seek me--Oh ye gods
will he not seek me? Is it all a dream?
will there be never never such a man?
will there be only these, these bestial things
who wallow in my styes, or mop and mow
among the trees, or munch in pens and byres,
or snarl and filch behind their wattled coops;
these things who had believed that they were men?

Nay but he will come. Why am I so fair,
and marvellously minded, and with sight
which flashes sud
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Submitted on May 13, 2011

Modified on May 03, 2023

4:04 min read
1,249

Quick analysis:

Scheme ABXCXXXDXE XXBXXXXFXXXGDXXXXCXXXC XCFXXXHXCXXXXXI XXCJEXXXXX XKXXXXXXFHI JXX CFXCXXXLXMXLX XXGX LKMXXXXCCJ XXA
Closest metre Iambic pentameter
Characters 4,346
Words 810
Stanzas 10
Stanza Lengths 10, 22, 15, 10, 11, 3, 13, 4, 10, 3

Augusta Davies Webster

Augusta Webster born in Poole, Dorset as Julia Augusta Davies, was an English poet, dramatist, essayist, and translator. The daughter of Vice-admiral George Davies and Julia Hume, she spent her younger years on board the ship he was stationed, the Griper. She studied Greek at home, taking a particular interest in Greek drama, and went on to study at the Cambridge School of Art. She published her first volume of poetry in 1860 under the pen name Cecil Homes. In 1863, she married Thomas Webster, a fellow at Trinity College, Cambridge. They had a daughter, Augusta Georgiana, who married Reverend George Theobald Bourke, a younger son of the Joseph Bourke, 3rd Earl of Mayo. Much of Webster's writing explored the condition of women, and she was a strong advocate of women's right to vote, working for the London branch of the National Committee for Women's Suffrage. She was the first female writer to hold elective office, having been elected to the London School Board in 1879 and 1885. In 1885 she travelled to Italy in an attempt to improve her failing health. She died on 5 September 1894, aged 57. During her lifetime her writing was acclaimed and she was considered by some the successor to Elizabeth Barrett Browning. After her death, however, her reputation quickly declined. Since the mid-1990s she has gained increasing critical attention from scholars such as Isobel Armstrong, Angela Leighton, and Christine Sutphin. Her best-known poems include three long dramatic monologues spoken by women: A Castaway, Circe, and The Happiest Girl In The World, as well as a posthumously published sonnet-sequence, "Mother and Daughter". more…

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