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Birds Sing I Love You, Love

Augusta Davies Webster 1837 (Poole, Dorset) – 1894

Birds sing "I love you, love" the whole day through,
And not another song can they sing right;
But, singing done with, loving's done with quite,
The autumn sunders every twittering two.
And I'd not have love make too much ado
With sweet parades of fondness and delight,
Lest iterant wont should make caresses trite,
Love-names mere cuckoo ousters of the true.

Oh heart can hear heart's sense in senseless nought,
And heart that's sure of heart has little speech.
What shall it tell? The other knows its thought.
What shall one doubt or question or beseech
Who is assured and knows and, unbesought,
Possesses the dear trust that each gives each.

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Submitted on May 13, 2011

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Augusta Davies Webster

Augusta Webster born in Poole, Dorset as Julia Augusta Davies, was an English poet, dramatist, essayist, and translator. The daughter of Vice-admiral George Davies and Julia Hume, she spent her younger years on board the ship he was stationed, the Griper. She studied Greek at home, taking a particular interest in Greek drama, and went on to study at the Cambridge School of Art. She published her first volume of poetry in 1860 under the pen name Cecil Homes. In 1863, she married Thomas Webster, a fellow at Trinity College, Cambridge. They had a daughter, Augusta Georgiana, who married Reverend George Theobald Bourke, a younger son of the Joseph Bourke, 3rd Earl of Mayo. Much of Webster's writing explored the condition of women, and she was a strong advocate of women's right to vote, working for the London branch of the National Committee for Women's Suffrage. She was the first female writer to hold elective office, having been elected to the London School Board in 1879 and 1885. In 1885 she travelled to Italy in an attempt to improve her failing health. She died on 5 September 1894, aged 57. During her lifetime her writing was acclaimed and she was considered by some the successor to Elizabeth Barrett Browning. After her death, however, her reputation quickly declined. Since the mid-1990s she has gained increasing critical attention from scholars such as Isobel Armstrong, Angela Leighton, and Christine Sutphin. Her best-known poems include three long dramatic monologues spoken by women: A Castaway, Circe, and The Happiest Girl In The World, as well as a posthumously published sonnet-sequence, "Mother and Daughter". more…

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