Was It You?



"Hullo, young Jones! with your tie so gay
And your pen behind your ear;
Will you mark my cheque in the usual way?
For I'm overdrawn, I fear."
Then you look at me in a manner bland,
As you turn your ledger's leaves,
And you hand it back with a soft white hand,
And the air of a man who grieves. . . .

"Was it you, young Jones, was it you I saw
(And I think I see you yet)
With a live bomb gripped in your grimy paw
And your face to the parapet?
With your lips asnarl and your eyes gone mad
With a fury that thrilled you through. . . .
Oh, I look at you now and I think, my lad,
Was it you, young Jones, was it you?

"Hullo, young Smith, with your well-fed look
And your coat of dapper fit,
Will you recommend me a decent book
With nothing of War in it?"
Then you smile as you polish a finger-nail,
And your eyes serenely roam,
And you suavely hand me a thrilling tale
By a man who stayed at home.

"Was it you, young Smith, was it you I saw
In the battle's storm and stench,
With a roar of rage and a wound red-raw
Leap into the reeking trench?
As you stood like a fiend on the firing-shelf
And you stabbed and hacked and slew. . . .
Oh, I look at you and I ask myself,
Was it you, young Smith, was it you?

"Hullo, old Brown, with your ruddy cheek
And your tummy's rounded swell,
Your garden's looking jolly chic
And your kiddies awf'ly well.
Then you beam at me in your cheery way
As you swing your water-can;
And you mop your brow and you blithely say:
`What about golf, old man?'

"Was it you, old Brown, was it you I saw
Like a bull-dog stick to your gun,
A cursing devil of fang and claw
When the rest were on the run?
Your eyes aflame with the battle-hate. . . .
As you sit in the family pew,
And I see you rising to pass the plate,
I ask: Old Brown, was it you?

"Was it me and you? Was it you and me?
(Is that grammar, or is it not?)
Who groveled in filth and misery,
Who gloried and groused and fought?
Which is the wrong and which is the right?
Which is the false and the true?
The man of peace or the man of fight?
Which is the ME and the YOU?"

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Submitted on May 13, 2011

Modified on April 04, 2023

2:07 min read
61

Quick analysis:

Scheme AXAXBCBC DEDEFGFG HIHIJKJK DLXLMGMG NONOAPAP DQDQRGRG SXSXTGTG
Closest metre Iambic tetrameter
Characters 2,003
Words 423
Stanzas 7
Stanza Lengths 8, 8, 8, 8, 8, 8, 8

Robert William Service

Robert William Service was a poet and writer sometimes referred to as the Bard of the Yukon He is best-known for his writings on the Canadian North including the poems The Shooting of Dan McGrew The Law of the Yukon and The Cremation of Sam McGee His writing was so expressive that his readers took him for a hard-bitten old Klondike prospector not the later-arriving bank clerk he actually was Robert William Service was born 16 January 1874 in Preston England but also lived in Scotland before emigrating to Canada in 1894 Service went to the Yukon Territory in 1904 as a bank clerk and became famous for his poems about this region which are mostly in his first two books of poetry He wrote quite a bit of prose as well and worked as a reporter for some time but those writings are not nearly as well known as his poems He travelled around the world quite a bit and narrowly escaped from France at the beginning of the Second World War during which time he lived in Hollywood California He died 11 September 1958 in France Incidentally he played himself in a movie called The Spoilers starring John Wayne and Marlene Dietrich more…

All Robert William Service poems | Robert William Service Books

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