Court of a Turkish Villa near Damascus



In the midst a fountain,
    Singeth day and night,
Each small wave a mirror
    For the changing light.
Now the golden sunshine,
    Softened by the boughs,
Which a doubtful passage
    To the light allows:
                          ⁠Or the moon seems lingering near,
⁠                          ⁠As she paused the words to hear
⁠                          ⁠Of the tales Arabian,
                          ⁠⁠The old Arabian Nights.

On the wind a murmur
    Seems to float along,
Soft as is the music
    Of remembered song.
Bringing at the moment
    All that dwelt apart
In the lone recesses
    Of the haunted heart.
⁠                          ⁠So upon her twilight wings
                          ⁠⁠Memory beareth graceful things
                          ⁠⁠From the tales Arabian,
                          ⁠⁠From the old Arabian Nights.

I can see the garden
    Treasured from the day,
Where the young Aladdin
    Took his wondering way.
Pale the lamp was burning
    Which the genie swayed;
Would that at this moment
    I could have its aid!
                          ⁠⁠All my fancies, now so vain,
                          ⁠⁠I might with a wish obtain;
⁠                          ⁠From the tales Arabian,
                          ⁠⁠The old Arabian Nights.

Far away the island
    Rises on the deep,
Where the fated Agib
    Found the boy asleep.
Soon the old fond father
    Came with songs and joy
Ah! what bears he with him
    But his murdered boy!
                          ⁠⁠Still does Fate in some dark shape,
                          ⁠⁠Mock our efforts to escape,
⁠                          ⁠As in the tales Arabian,
                          ⁠⁠The old Arabian Nights.

Next a summer palace
    Gleams with sudden light,
But the lovely Persian
    Makes it yet more bright.
I can hear her singing
    In the lonely tower,
Mournful—oh, how mournful!
    Of a happier hour.
⁠                          ⁠Still the same star rules above,
                          ⁠⁠Sorrow still companions love,
⁠                          ⁠As in the tales Arabian,
⁠                          ⁠The old Arabian Nights.

Pleasantly these fancies
    Haunt that fountain's fall,
Making its low music
    Yet more musical.
Still around its waters
    Are adventures told,
Wonderful as any
    That I read of old.
⁠                          ⁠Never will their charm depart,
⁠                          ⁠Still a portion of the heart
⁠                          ⁠Dwells with the tales Arabian,
⁠                          ⁠The old Arabian Nights.

About this poem

From Fisher's Drawing Room Scrap Book, 1839

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Written on 1838

Submitted by Madeleine Quinn on January 10, 2025

2:02 min read
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Quick analysis:

Scheme abcbxdxdxxaE cfgfhixijjAe akxklmhmnnAE xopocxxpqqAE xbablcrcssAE xxgrxtxtiiaE
Closest metre Iambic trimeter
Characters 2,695
Words 408
Stanzas 6
Stanza Lengths 12, 12, 12, 12, 12, 12

Letitia Elizabeth Landon

 · 1802 · Chelsea

Letitia Elizabeth Landon was an English poet. Born 14th August 1802 at 25 Hans Place, Chelsea, she lived through the most productive period of her life nearby, at No.22. A precocious child with a natural gift for poetry, she was driven by the financial needs of her family to become a professional writer and thus a target for malicious gossip (although her three children by William Jerdan were successfully hidden from the public). In 1838, she married George Maclean, governor of Cape Coast Castle on the Gold Coast, whence she travelled, only to die a few months later (15th October) of a fatal heart condition. Behind her post-Romantic style of sentimentality lie preoccupations with art, decay and loss that give her poetry its characteristic intensity and in this vein she attempted to reinterpret some of the great male texts from a woman’s perspective. Her originality rapidly led to her being one of the most read authors of her day and her influence, commencing with Tennyson in England and Poe in America, was long-lasting. However, Victorian attitudes led to her poetry being misrepresented and she became excluded from the canon of English literature, where she belongs. more…

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