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The Visible, The Untrue

Harold Hart Crane 1899 (Garrettsville, Ohio) – 1932 (Gulf of Mexico)



Yes, I being
the terrible puppet of my dreams, shall
lavish this on you-
the dense mine of the orchid, split in two.
And the fingernails that cinch such
environs?
And what about the staunch neighbor tabulations,
with all their zest for doom?

I'm wearing badges
that cancel all your kindness. Forthright
I watch the silver Zeppelin
destroy the sky. To
stir your confidence?
To rouse what sanctions-?

The silver strophe… the canto
bright with myth… Such
distances leap landward without
evil smile. And, as for me….

The window weight throbs in its blind
partition. To extinguish what I have of faith.
Yes, light. And it is always
always, always the eternal rainbow
And it is always the day, the farewell day unkind.

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Submitted on May 13, 2011

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Harold Hart Crane

Harold Hart Crane was an American poet. Finding both inspiration and provocation in the poetry of T. S. Eliot, Crane wrote modernist poetry that was difficult, highly stylized, and ambitious in its scope. In his most ambitious work, The Bridge, Crane sought to write an epic poem, in the vein of The Waste Land, that expressed a more optimistic view of modern, urban culture than the one that he found in Eliot's work. In the years following his suicide at the age of 32, Crane has been hailed by playwrights, poets, and literary critics alike (including Robert Lowell, Derek Walcott, Tennessee Williams, and Harold Bloom), as being one of the most influential poets of his generation.  more…

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