Childe Harold's Pilgrimage: A Romaunt. Canto IV.

George Gordon Lord Byron 1788 (London) – 1824 (Missolonghi, Aetolia)



I.
I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand:
I saw from out the wave her structures rise
As from the stroke of the enchanter's wand:
A thousand years their cloudy wings expand
Around me, and a dying Glory smiles
O'er the far times, when many a subject land
Look'd to the winged Lion's marble piles,
Where Venice sate in state, thron'd on her hundred isles!

II.
She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Pour'd in her lap all gems in sparkling showers.
In purple was she rob'd, and of her feast
Monarchs partook, and deem'd their dignity increas'd.

III.
In Venice Tasso's echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone -- but Beauty still is here.
States fall, arts fade -- but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

IV.
But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the dogeless city's vanish'd sway;
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away --
The keystones of the arch! though all were o'er,
For us repeopl'd were the solitary shore.

V.
The beings of the mind are not of clay;
Essentially immortal, they create
And multiply in us a brighter ray
And more belov'd existence: that which Fate
Prohibits to dull life, in this our state
Of mortal bondage, by these spirits supplied,
First exiles, then replaces what we hate;
Watering the heart whose early flowers have died,
And with a fresher growth replenishing the void.

VI.
Such is the refuge of our youth and age,
The first from Hope, the last from Vacancy;
And this worn feeling peoples many a page,
And, maybe, that which grows beneath mine eye:
Yet there are things whose strong reality
Outshines our fairy-land; in shape and hues
More beautiful than our fantastic sky,
And the strange constellations which the Muse
O'er her wild universe is skilful to diffuse:

VII.
I saw or dream'd of such -- but let them go;
They came like truth -- and disappear'd like dreams;
And whatsoe'er they were -- are now but so:
I could replace them if I would; still teems
My mind with many a form which aptly seems
Such as I sought for, and at moments found;
Let these too go -- for waking Reason deems
Such overweening fantasies unsound,
And other voices speak, and other sights surround.

VIII.
I've taught me other tongues, and in strange eyes
Have made me not a stranger; to the mind
Which is itself, no changes bring surprise;
Nor is it harsh to make, nor hard to find
A country with -- ay, or without mankind;
Yet was I born where men are proud to be --
Not without cause; and should I leave behind
The inviolate island of the sage and free,
And seek me out a home by a remoter sea,

IX.
Perhaps I lov'd it well: and should I lay
My ashes in a soil which is not mine,
My spirit shall resume it -- if we may
Unbodied choose a sanctuary. I twine
My hopes of being remember'd in my line
With my land's language: if too fond and far
These aspirations in their scope incline,
If my fame should be, as my fortunes are,
Of hasty growth and blight, and dull Oblivion bar

X.
My name from out the temple where the dead
Are honour'd by the nations -- let it be --
And light the laurels on a loftier head!
And be the Spartan's epitaph on me --
'Sparta hath many a worthier son than he.'
Meantime I seek no sympathies, nor need;
The thorns which I have reap'd are of the tree
I planted: they have torn me, and I bleed:
I should have known what fruit would spring from such a seed.

XI.
The spouseless Adriatic mourns her lord;
And annual marriage now no more renew'd,
The Bucentaur lies rotting unrestored,
Neglected garment of her widowhood!
St. Mark yet sees his lion where he stood
Stand, but in mockery of his wither'd power,
Over he proud Place where an Emperor sued,
And monarchs gaz'd and envied in the hour
When Venice was a queen w
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Submitted on May 13, 2011

Modified on March 05, 2023

4:09 min read
65

Quick analysis:

Scheme ABCBDCECEE AFGFGXHGHH AIJIKKAJLL MDNCNNXNOI LNPNPPQPQX ARLRALSASX MTUTUUVUVV MBWBWWLWLL BNXNXXYXYY XZLZLL1 L1 1 LX2 CCXO2 OX
Closest metre Iambic pentameter
Characters 4,286
Words 804
Stanzas 11
Stanza Lengths 10, 10, 10, 10, 10, 10, 10, 10, 10, 10, 10

George Gordon Lord Byron

George Gordon Byron, 6th Baron Byron, known simply as Lord Byron, was an English poet, peer and politician who became a revolutionary in the Greek War of Independence, and is considered one of the leading figures of the Romantic movement. He is regarded as one of the greatest English poets and remains widely read and influential. Among his best-known works are the lengthy narrative poems Don Juan and Childe Harold's Pilgrimage; many of his shorter lyrics in Hebrew Melodies also became popular. He travelled extensively across Europe, especially in Italy, where he lived for seven years in the cities of Venice, Ravenna, and Pisa. During his stay in Italy he frequently visited his friend and fellow poet Percy Bysshe Shelley. Later in life Byron joined the Greek War of Independence fighting the Ottoman Empire and died of disease leading a campaign during that war, for which Greeks revere him as a national hero. He died in 1824 at the age of 36 from a fever contracted after the First and Second Siege of Missolonghi. His only legitimate child, Ada Lovelace, is regarded as a foundational figure in the field of computer programming based on her notes for Charles Babbage's Analytical Engine. Byron's illegitimate children include Allegra Byron, who died in childhood, and possibly Elizabeth Medora Leigh.  more…

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