There is a gold light in certain old paintings

Donald Justice 1925 – 2004



1

There is a gold light in certain old paintings
That represents a diffusion of sunlight.
It is like happiness, when we are happy.
It comes from everywhere and from nowhere at once, this light,
              And the poor soldiers sprawled at the foot of the cross
              Share in its charity equally with the cross.

       2

Orpheus hesitated beside the black river.
With so much to look  forward to he looked back.
We think he sang then, but the song is lost.
At  least he had seen once more the  beloved back.
              I say the song went this way: O prolong
             Now the sorrow if that is all there is to prolong.

      3

The world is very dusty, uncle. Let us work.
One day the sickness shall pass from the earth for good.
The orchard will bloom; someone will play the guitar.
Our work will be seen as strong and clean and good.
              And all that we suffered through having existed
              Shall be forgotten as though it had never existed.
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Written on 2004

Submitted by Drone232 on April 26, 2022

Modified on March 05, 2023

56 sec read
12

Quick analysis:

Scheme XAXABB XCXCDD XEXEFF
Closest metre Iambic hexameter
Characters 984
Words 187
Stanzas 3
Stanza Lengths 6, 6, 6

Donald Justice

One of the twentieth century’s most quietly influential poets, Donald Justice was a master of poetic form and technique, as well as a masterful teacher of poetry. Long associated with the Iowa Writers’ Workshop, Justice helped guide a generation of poets through their earliest work, including Rita Dove, Mark Strand and Charles Wright. His own verse was noted for its formal control, depth of insight, and limpid, elegiac lines. However, technical prowess "never calls attention to itself in Justice's understated work," claimed Dana Gioia in the Southern Review, nor was Justice ever considered a “confessional” poet, often using his poems to efface the self rather than vaunt it. Though his early and late styles use more traditional meters, his overall career denies easy categorization. Comfortable in free verse as well as forms like the sestina, villanelle and sonnet, Justice was equally at ease with more experimental modes. Dana Gioia described Justice as a “serious experimentalist,” one who “discarded traditional form but also, eventually, conventional notions of genre, sequential exposition, originality, and even authorial control.” Working within the confines of the short poem, Justice explored the possibilities of formal, free and experimental poetry throughout his long career. more…

All Donald Justice poems | Donald Justice Books

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