Analysis of From Omar Khayyam

Edward Fitzgerald 1809 (Bredfield House) – 1883 (Merton, Norfolk)



A BOOK of Verses underneath the Bough,
A Jug of Wine, a Loaf of Bread--and Thou
   Beside me singing in the Wilderness--
O, Wilderness were Paradise enow!

Some for the Glories of This World; and some
Sigh for the Prophet's Paradise to come;
   Ah, take the Cash, and let the Credit go,
Nor heed the rumble of a distant Drum!

Look to the blowing Rose about us--'Lo,
Laughing,' she says, 'into the world I blow,
   At once the silken tassel of my Purse
Tear, and its Treasure on the Garden throw.'

And those who husbanded the Golden grain
And those who flung it to the winds like Rain
   Alike to no such aureate Earth are turn'd
As, buried once, Men want dug up again.

Think, in this batter'd Caravanserai
Whose Portals are alternate Night and Day,
   How Sultán after Sultán with his Pomp
Abode his destined Hour, and went his way.

They say the Lion and the Lizard keep
The Courts where Jamshyd gloried and drank deep:
   And Bahrám, that great Hunter--the wild Ass
Stamps o'er his Head, but cannot break his Sleep.

I sometimes think that never blows so red
The Rose as where some buried Caesar bled;
   That every Hyacinth the Garden wears
Dropt in her Lap from some once lovely Head.

And this reviving Herb whose tender Green
Fledges the River-Lip on which we lean--
   Ah, lean upon it lightly! for who knows
From what once lovely Lip it springs unseen!

Ah, my Beloved, fill the Cup that clears
TO-DAY of past Regrets and Future Fears:
   To-morrow!--Why, To-morrow I may be
Myself with Yesterday's Sev'n thousand Years.

For some we loved, the loveliest and the best
That from his Vintage rolling Time hath prest,
   Have drunk their Cup a Round or two before,
And one by one crept silently to rest.

And we, that now make merry in the Room
They left, and Summer dresses in new bloom,
   Ourselves must we beneath the Couch of Earth
Descend--ourselves to make a Couch--for whom?

Ah, make the most of what we yet may spend,
Before we too into the Dust descend;
   Dust unto Dust, and under Dust to lie,
Sans Wine, sans Song, sans Singer, and--sans End!

Ah, with the Grape my fading Life provide,
And wash my Body whence the Life has died,
   And lay me, shrouded in the living Leaf,
By some not unfrequented Garden-side....

Yon rising Moon that looks for us again--
How oft hereafter will she wax and wane;
   How oft hereafter rising look or us
Through this same Garden--and for one in vain!

And when like her O Sákí, you shall pass
Among the Guests star-scatter'd on the Grass,
   And in your joyous errand reach the spot
Where I made One--turn down an empty Glass!

WITH blackest moss the flower-plots
   Were thickly crusted, one and all:
The rusted nails fell from the knots
   That held the pear to the gable-wall.
The broken sheds look'd sad and strange:
   Unlifted was the clinking latch;
   Weeded and worn the ancient thatch
Upon the lonely moated grange.
   She only said, 'My life is dreary,
   He cometh not,' she said;
   She said, 'I am aweary, aweary,
   I would that I were dead!'

Her tears fell with the dews at even;
   Her tears fell ere the dews were dried;
She could not look on the sweet heaven,
   Either at morn or eventide.
After the flitting of the bats,
   When thickest dark did trance the sky,
   She drew her casement-curtain by,
And glanced athwart the glooming flats.
   She only said, 'The night is dreary,
   He cometh not,' she said;
   She said, 'I am aweary, aweary,
   I would that I were dead!'

Upon the middle of the night,
   Waking she heard the night-fowl crow:
The cock sung out an hour ere light:
   From the dark fen the oxen's low
Came to her: without hope of change,
   In sleep she seem'd to walk forlorn,
   Till cold winds woke the gray-eyed morn
About the lonely moated grange.
   She only said, 'The day is


Scheme aabc dded fexe ccgc hixi jjkj llxl ccxc mmxm nnhn ooxo ppfp qqxq ccbc kkxk rfrfsttshLHL cqcguvvuhLHL wewesccsx
Poetic Form
Metre 011100101 0111011101 0111000100 11000101 1101011101 11011011 1101010101 1101010101 1101010111 1011010111 1101010111 1011010101 01110101 0111110111 011111111 1101111101 101101 1101100101 1111011111 01110100111 1101000101 01111011 0111110011 11011110111 1011110111 0111110101 1100100101 1001111101 0101011101 101011111 1101110111 1111011101 110110111 1111010101 1101110111 11101101 111101001 1111010111 1111011101 0111110011 0111110001 1101010011 00111010111 01001110111 1101111111 0111010101 1101010111 1111110011 1101110101 0111010111 0111000101 1111101 1101111101 1101011101 1101010111 1111001101 0110111111 0101110101 0011010101 1111111101 11010101 01010101 01011101 110110101 01011101 11011 10010101 0101011 110111110 110111 111111 111101 011101110 01110101 111110110 101111 10010101 11011101 1101101 0101011 110101110 110111 111111 111101 01010101 10110111 011111011 1011011 11001111 01111101 11110111 0101011 1101011
Closest metre Iambic pentameter
Characters 3,775
Words 679
Sentences 25
Stanzas 18
Stanza Lengths 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 12, 12, 9
Lines Amount 93
Letters per line (avg) 30
Words per line (avg) 7
Letters per stanza (avg) 156
Words per stanza (avg) 37
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Submitted on May 13, 2011

Modified on March 07, 2023

3:25 min read
138

Edward Fitzgerald

Edward Fitzgerald was an English writer, best known for his English Literature classic Rubáiyát of Omar Khayyám. more…

All Edward Fitzgerald poems | Edward Fitzgerald Books

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