Analysis of The Bread Of Angels

Edith Wharton 1862 (New York City) – 1937 (Saint-Brice-sous-Forêt)



AT that lost hour disowned of day and night,
The after-birth of midnight, when life's face
Turns to the wall and the last lamp goes out
Before the incipient irony of dawn --
In that obliterate interval of time
Between the oil's last flicker and the first
Reluctant shudder of averted day,
Threading the city's streets (like mine own ghost
Wakening the echoes of dispeopled dreams),
I smiled to see how the last light that fought
Extinction was the old familiar glare
Of supper tables under gas-lit ceilings,
The same old stale monotonous carouse
Of greed and surfeit nodding face to face
O'er the picked bones of pleasure . . .
So that the city seemed, at that waste hour,
Like some expiring planet from whose face
All nobler life had perished -- love and hate,
And labor and the ecstasy of thought --
Leaving the eyeless creatures of the ooze,
Dull offspring of its first inchoate birth,
The last to cling to its exhausted breast.

And threading thus the aimless streets that strayed
Conjectural through a labyrinth of death,
Strangely I came upon two hooded nuns,
Hands in their sleeves, heads bent as if beneath
Some weight of benediction, gliding by
Punctual as shadows that perform their round
Upon the inveterate bidding of the sun
Again and yet again their ordered course
At the same hour crossed mine: obedient shades
Cast by some high-orbed pity on the waste
Of midnight evil! and my wondering thoughts
Tracked them from the hushed convent where there kin
Lay hived in sweetness of their prayer built cells.
What wind of fate had loosed them from the lee
Of that dear anchorage where their sisters slept?
On what emprise of heavenly piracy
Did such frail craft put forth upon this world;
In what incalculable currents caught

And swept beyond the signal-lights of home
Did their white coifs set sail against the night?

At last, upon my wonder drawn, I followed
The secret wanderers till I saw them pause
Before the dying glare of those tall panes
Where greed and surfeit nodded face to face
O'er the picked bones of pleasure . . .
And the door opened and the nuns went in.

Again I met them, followed them again.
Straight as a thought of mercy to its goal
To the same door they sped. I stood alone.
And suddenly the silent city shook
With inarticulate clamor of gagged lips,
As in Jerusalem when the veil was rent
And the dead drove the living from the streets.
And all about me stalked the shrouded dead,
Dead hopes, dead efforts, loves and sorrows dead,
With empty orbits groping for their dead
In that blind mustering of murdered faiths . . .
And the door opened and the nuns came out.

I turned and followed. Once again we came
To such a threshold, such a door received them,
They vanished, and I waited. The grim round
Ceased only when the festal panes grew dark
And the last door had shot its tardy bolt.
'Too late!' I heard one murmur; and 'Too late!'
The other, in unholy antiphon.
And with dejected steps they turned away.

They turned, and still I tracked them, till they bent
Under the lee of a calm convent wall
Bounding a quiet street. I knew the street,
One of those village byways strangely trapped
In the city's meshes, where at loudest noon
The silence spreads like moss beneath the foot,
And all the tumult of the town becomes
Idle as Ocean's fury in a shell.

Silent at noon -- but now, at this void hour,
When the blank sky hung over the blank streets
Clear as a mirror held above dead lips,
Came footfalls, and a thronging of dim shapes
About the convent door: a suppliant line
Of pallid figures, ghosts of happier folk,
Moving in some gray underworld of want
On which the sun of plenty never dawns.

And as the nuns approached I saw the throng
Pale emanation of that outcast hour,
Divide like vapor when the sun breaks through
And take the glory on its tattered edge.
For so a brightness ran from face to face,
Faint as a diver's light beneath the sea
And as a wave draws up the beach, the crowd
Drew to the nuns.
I waited. Then those two
Strange pilgrims of the sanctuaries of sin
Brought from beneath their large conniving cloaks
Two hidden baskets brimming with rich store
Of broken viands -- pasties, jellies, meats,
Crumbs of Belshazzar's table, evil waste
Of that interminable nightly feast
Of greed and surfeit, nodding face to face
O'er the picked bones of pleasure . . .
And piteous hands were stretched to take th


Scheme abcxxxdxxexxxBFfbgexxx xxhxxixxxjxkxlxlxx xa xxxbFk xxxxmnopppxc xxixxgxd nxxxxxxx fomxxxxx xfqxblxhqkbxojxBFx
Poetic Form
Metre 11110011101 010111111 1101001111 010010010011 0101010011 0101110001 0101010101 1001011111 1010111 1111101111 0101010101 11010101110 0111010001 1101010111 10011110 11010111110 1101010111 1101110101 0100010011 1001010101 1111111 0111110101 0101010111 1101011 1011011101 1011111101 111010101 1001110111 010010010101 0101011101 101101101001 1111110101 1110011001 1110110111 1101011111 1111111101 11110011101 11011100100 1111110111 0101000101 0101010111 1111110101 11011101110 01010011111 0101011111 1101010111 10011110 0011000110 0111110101 1101110111 1011111101 0100010101 10010010111 10010010111 0011010101 0101110101 1111010101 1101010111 0111001101 0011000111 1101010111 1101101011 1100110011 110101111 0011111101 1111110011 010001010 0101011101 1101111111 1001101101 1001011101 111101101 00101011101 0101110101 0101010101 1011010001 10111111110 1011110011 1101010111 11001111 010101011 11010111001 100111011 1101110101 0101011101 101011110 0111010111 0101011101 1101011111 1101010101 0101110101 1101 110111 1101010011 1101110101 1101010111 11011101 11110101 1101000101 1101010111 10011110 011011111
Closest metre Iambic pentameter
Characters 4,346
Words 776
Sentences 37
Stanzas 9
Stanza Lengths 22, 18, 2, 6, 12, 8, 8, 8, 18
Lines Amount 102
Letters per line (avg) 34
Words per line (avg) 8
Letters per stanza (avg) 383
Words per stanza (avg) 87
Font size:
 

Submitted on May 13, 2011

Modified on March 14, 2023

3:55 min read
65

Edith Wharton

Edith Wharton (born Edith Newbold Jones) was an American novelist, short story writer, and designer. Wharton drew upon her insider's knowledge of the upper class New York "aristocracy" to realistically portray the lives and morals of the Gilded Age. In 1921, she became the first woman to win the Pulitzer Prize for Literature. She was inducted into the National Women's Hall of Fame in 1996. more…

All Edith Wharton poems | Edith Wharton Books

0 fans

Discuss this Edith Wharton poem analysis with the community:

0 Comments

    Citation

    Use the citation below to add this poem analysis to your bibliography:

    Style:MLAChicagoAPA

    "The Bread Of Angels" Poetry.com. STANDS4 LLC, 2024. Web. 24 Apr. 2024. <https://www.poetry.com/poem-analysis/9095/the-bread-of-angels>.

    Become a member!

    Join our community of poets and poetry lovers to share your work and offer feedback and encouragement to writers all over the world!

    More poems by

    Edith Wharton

    »

    April 2024

    Poetry Contest

    Join our monthly contest for an opportunity to win cash prizes and attain global acclaim for your talent.
    6
    days
    2
    hours
    16
    minutes

    Special Program

    Earn Rewards!

    Unlock exciting rewards such as a free mug and free contest pass by commenting on fellow members' poems today!

    Browse Poetry.com

    Quiz

    Are you a poetry master?

    »
    Roald Dahl wrote: "The animal I really dig, above all others is the..."
    A cat
    B dog
    C horse
    D pig