Analysis of Battle Passes

Edward Dyson 1865 (Ballarat) – 1931 (Melbourne)



A quaint old gabled cottage sleeps between the raving hills.
To right and left are livid strife, but on the deep, wide sills
The purple pot-flowers swell and glow, and o'er the walls and eaves
Prinked creeper steals caressing hands, the poplar drips its leaves.
Within the garden hot and sweet
Fair form and woven color meet,
While down the clear, cool stones, 'tween banks with branch and blossom gay,
A little, bridged, blind rivulet goes touching out its way.

Peace lingers hidden from the knife, the tearing blinding shell,
Where falls the spattered sunlight on a lichen-covered well.
No voice is here, no fall of feet, no smoke lifts cool and grey,
But on the granite stoop a cat blinks vaguely at the day.
From hill to hill across the vale
Storms man's terrific iron gale;
The cot roof on a brooding dove recks not the distant gun.
A brown hen scolds her chickens chasing midges in the sun.

Now down the eastward slope they come.
No call of life, no beat of drum,
But stealthily, and in the green,
Low hid, with rifle and machine,
Spit hate and death; and red blood flows
To shame the whiteness of the rose.

Crack followes crash; the bestial roar
Of gastly and insensate war
Breaks on the cot. A rending stoke,
The red roof springs, and in the smoke
And spume of shells the riven walls
Pile where the splintered elm-tree spawls.

From westward, streaming down hill,
Shot-ravaged, thinned, but urgent still,
The brown, fierce, blooded Anzacs sweep,
And Hell leaps a up. The lilies weep
Strange crimson tears. Tight-lipped and mute,
The grim, gaunt soldiers stab and shoot.

It passes. Frantic, fleeing death,
Wild-eyed, foam-flecked and every breath
A labored agony, like deer
That feel the hounds' keen teeth, appear
The Prussian men, and, wild to slay
The hunters press upon their prey.

Cries fade and fitful shots die down. The
Tumbled ruin now
Smoke faintly in the summer light, and lifts
The trodden bough.
A sigh stirs in the trampled green, and held
And tainted red
The rill creeps o'er a dead man's face and steals along its bed.
One deep among the lilacs thrown
Shock all the stillness with a moan.
Peace like the snowflake lights again where utter silence lies,
And softly with white finger-tips she seals a soldier eyes.


Scheme AABBCCDD EEDDFFGG HHIIJJ KKLLXA MMNNOO PPQQDD XRXRXSSTTUU
Poetic Form
Metre 01110101010101 11011101110111 0101101010100101 1110101010111 01010101 11010101 11011111110101 010111110111 11010101010101 1101011010101 11111111111101 11010101110101 11110101 11010101 01110101110101 01110101010001 11010111 11111111 110001 11110001 11010111 11010101 1110101 11011 11010101 01110001 01110101 11010111 1101011 11011101 0111011 011010101 11011101 01110101 11010101 111101001 01010011 11011101 01010111 01010111 110101110 10101 1100010101 0101 0110010101 0101 011100111010111 1101011 11010101 1101101110101 01011101110101
Closest metre Iambic pentameter
Characters 2,202
Words 399
Sentences 21
Stanzas 7
Stanza Lengths 8, 8, 6, 6, 6, 6, 11
Lines Amount 51
Letters per line (avg) 35
Words per line (avg) 8
Letters per stanza (avg) 252
Words per stanza (avg) 56
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Submitted on August 03, 2020

Modified on March 05, 2023

2:01 min read
5

Edward Dyson

Edward George Dyson was an Australian journalist, poet, playwright and short story writer. He was the elder brother of talented illustrators Will Dyson and Ambrose Dyson. more…

All Edward Dyson poems | Edward Dyson Books

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