Analysis of A Letter.



Addressed during the Summer Term of 1888 by Mr. Algernon Dexter, Scholar of ------ College, Oxford, to his cousin, Miss Kitty Tremayne, at ------ Vicarage, Devonshire.

After W. M. P.

Dear Kitty,
At length the term's ending;
I 'm in for my Schools in a week;
And the time that at present I'm spending
On you should be spent upon Greek:
But I'm fairly well read in my Plato,
I'm thoroughly red in the eyes,
And I've almost forgotten the way to
Be healthy and wealthy and wise.
So 'the best of all ways'--why repeat you
The verse at 2.30 a.m.,
When I 'm stealing an hour to entreat you
Dear Kitty, to come to Commem.?

Oh, come!    You shall rustle in satin
Through halls where Examiners trod:
Your laughter shall triumph o'er Latin
In lecture-room, garden, and quad.
They stand in the silent Sheldonian--
Our orators, waiting--for you,
Their style guaranteed Ciceronian,
Their subject--'the Ladies in Blue.'
The Vice sits arrayed in his scarlet;
He's pale, but they say he dissem-
-bles by calling his Beadle a 'varlet'
Whenever he thinks of Commem.

There are dances, flirtations at Nuneham,
Flower-shows, the procession of Eights:
There's a list stretching usque ad Lunam
Of concerts, and lunches,    and fetes:
There's the Newdigate all about 'Gordon,'
--So sweet, and they say it will scan.
You shall flirt with a Proctor, a Warden
Shall run for your shawl and your fan.
They are sportive as gods broken loose from
Olympus, and yet very em-
-inent men.    There are plenty to choose from,
You'll find, if you come to Commem.

I know your excuses: Red Sorrel
Has stumbled and broken her knees;
Aunt Phoebe thinks waltzing immoral;
And 'Algy, you are such a tease;
It's nonsense, of course, but she is strict';
And little Dick Hodge has the croup;
And there's no one to visit your 'district'
Or make Mother Tettleby's soup.
Let them cease for a se'nnight to plague you;
Oh, leave them to manage pro tem.
With their croups and their soups and their ague)
Dear Kitty, and come to Commem.

Don't tell me Papa has lumbago,
That you haven't a frock fit to wear,
That the curate 'has notions, and may go
To lengths if there's nobody there,'
That the Squire has 'said things' to the Vicar,
And the Vicar 'had words' with the Squire,
That the Organist's taken to liquor,
And leaves you to manage the choir:
For Papa must be cured, and the curate
Coerced, and your gown is a gem;
And the moral is--Don't be obdurate,
Dear Kitty, but come to Commem.

'My gown?    Though, no doubt, sir, you're clever,
You 'd better leave fashions alone.
Do you think that a frock lasts for ever?'
Dear Kitty, I'll grant you have grown;
But I thought of my 'scene' with McVittie
That night when he trod on your train
At the Bachelor's Ball.    ''Twas a pity,'
You said, but I knew 'twas Champagne.
And your gown was enough to compel me
To fall down and worship its hem--
(Are 'hems' wearing?    If not, you shall tell me
What is, when you come to Commem.)

Have you thought, since that night, of the Grotto?
Of the words whispered under the palms,
While the minutes flew by and forgot to
Remind us of Aunt and her qualms?
Of the stains of the old Journalisten?
Of the rose that I begged from your hair?
When you turned, and I saw something glisten--
Dear Kitty, don't frown; it was there!
But that idiot Delane in the middle
Bounced in with 'Our dance, I--ahem!'
And--the rose you may find in my Liddell
And Scott when you come to Commem.

Then, Kitty, let 'yes' be the answer.
We'll dance at the 'Varsity Ball,
And the morning shall find you a dancer
In Christ Church or Trinity hall.
And perhaps, when the elders are yawning
And rafters grow pale overhead
With the day, there shall come with its dawning
Some thought of that sentence unsaid.
Be it this, be it that--'I forget,' or
'Was joking'--whatever the fem-
-inine fib, you'll have made me your debtor
And come,--you will come? to Commem.


Scheme A B BCDCDEFGFGHGH IJIJIGIGKHEH HXHFILILMNMH OPOPQRQRGHCH ESESTATTKNKH TUTUEVBVBNBH EWGWISISOHOH TXTXCYCYXHTH
Poetic Form
Metre 0110010111101001010110101110110101101 1010011 110 110110 110111001 0011110110 11111011 1110110110 11001001 011010011 11001001 1011111011 0111 11110110111 1101111 111110010 11101001 1101101010 01011001 1100101 101001011 11011 10111001 011010110 1111111 111011001 0101111 111001011 101001011 10110111 11001001 10110110 11011111 1111010010 11111011 111111011 01001101 111110111 1111111 111010110 11001001 110110010 01011101 110111111 01011101 0111110110 111011 111101111 11111011 111011011 1100111 11110101 111001111 1010110011 111111 1011111010 001011101 10110110 011110010 1101110010 01011101 0010111100 1101111 111111110 111011001 1111011110 11011111 11111111 11111111 1010011010 11111101 0111011011 11101011 1110111111 1111111 111111101 101101001 1010110011 01111001 1011011 101111111 1110111010 11011111 11100100010 10110111 0011110110 0111111 110111010 11101001 0010111010 01111001 0011010110 01011101 1011111110 11111001 1111111011 111001 111111110 0111111
Closest metre Iambic pentameter
Characters 3,793
Words 716
Sentences 41
Stanzas 10
Stanza Lengths 1, 1, 13, 12, 12, 12, 12, 12, 12, 12
Lines Amount 99
Letters per line (avg) 29
Words per line (avg) 7
Letters per stanza (avg) 291
Words per stanza (avg) 71
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Submitted on August 03, 2020

Modified on March 05, 2023

3:41 min read
6

Arthur Thomas Quiller-Couch

Sir Arthur Thomas Quiller-Couch (; 21 November 1863 – 12 May 1944) was a Cornish writer who published using the pseudonym Q. Although a prolific novelist, he is remembered mainly for the monumental publication The Oxford Book Of English Verse 1250–1900 (later extended to 1918) and for his literary criticism. He influenced many who never met him, including American writer Helene Hanff, author of 84, Charing Cross Road and its sequel, Q's Legacy. His Oxford Book of English Verse was a favourite of John Mortimer's fictional character Horace Rumpole.  more…

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