Analysis of A Funeral Elogy

Anne Bradstreet 1612 (Northampton) – 1672 (Andover)



Ask not why hearts turn Magazines of passions,
And why that grief is clad in sev'ral fashions;
Why She on progress goes, and doth not borrow
The smallest respite from th'extreams of sorrow,
Her misery is got to such an height,
As makes the earth groan to support its weight,
Such storms of woe, so strongly have beset her,
She hath no place for worse, nor hope for better;
Her comfort is, if any for her be,
That none can shew more cause of grief then she.
Ask not why some in mournfull black are clad;
The Sun is set, there needs must be a shade.
Ask not why every face a sadness shrowdes;
The setting Sun ore-cast us hath with Clouds.
Ask not why the great glory of the Skye
That gilds the stars with heavenly Alchamy,
Which all the world doth lighten with his rayes,
The Persian God the Monarch of the dayes;
Ask not the reason of his extasie,
Paleness of late, in midnoon Majesty,
Why that the palefac'd Empress of the night
Disrob'd her brother of his glorious light.
Did not the language of the starrs foretel
A mournfull Scene when they with tears did swell?
Did not the glorious people of the Skye
Seem sensible of future misery?
Did not the lowring heavens seem to express
The worlds great lose, and their unhappiness?
Behold how tears flow from the learned hill,
How the bereaved Nine do daily fill
The bosom of the fleeting Air with groans,
And wofull Accents, which witness their moanes.
How doe the Goddesses of verse, the learned quire
Lament their rival Quill, which all admire?
Could Maro's Muse but hear her lively strain,
He would condemn his works to fire again,
Methinks I hear the Patron of the Spring,
The unshorn Deity abruptly sing.
Some doe for anguish weep, for anger I
That Ignorance should live, and Art should die.
Black, fatal, dismal, inauspicious day,
Unblest forever by Sol's precious Ray,
Be it the first of Miseries to all;
Or last of Life, defam'd for Funeral.
When this day yearly comes, let every one,
Cast in their urne, the black and dismal stone,
Succeeding years as they their circuit goe,
Leap o're this day, as a sad time of woe.
Farewell my Muse, since thou hast left thy shrine,
I am unblest in one, but blest in nine.
Fair Thespian Ladyes, light your torches all,
Attend your glory to its Funeral,
To court her ashes with a learned tear,
A briny sacrifice, let not a smile appear.
Grave Matron, whoso seeks to blazon thee,
Needs not make use of witts false Heraldry;
Whoso should give thee all thy worth would swell
So high, as 'twould turn the world infidel.
Had he great Maro's Muse, or Tully's tongue,
Or raping numbers like the Thracian Song,
In crowning of her merits he would be
Sumptuously poor, low in Hyperbole.
To write is easie; but to write on thee,
Truth would be thought to forfeit modesty.
He'l seem a Poet that shall speak but true;
Hyperbole's in others, are thy due.
Like a most servile flatterer he will show
Though he write truth, and make the Subject, You.
Virtue ne're dies, time will a Poet raise
Born under better Starrs, shall sing thy praise.
Praise her who list, yet he shall be a debtor
For Art ne're feigned, nor Nature fram'd a better.
Her virtues were so great, that they do raise
A work to trouble fame, astonish praise.
When as her Name doth but salute the ear,
Men think that they perfections abstract hear.
Her breast was a brave Pallace, a Broad-street,
Where all heroick ample thoughts did meet,
Where nature such a Tenement had tane,
That others souls, to hers, dwelt in a lane.
Beneath her feet, pale envy bites her chain,
And poison Malice whetts her sting in vain.
Let every Laurel, every Myrtel bough
Be stript for leaves t'adorn and load her brow.
Victorious wreathes, which 'cause they never fade
Wise elder times for Kings and Poets made
Let not her happy memory e're lack
Its worth in Fame's eternal Almanack,
Which none shall read, but straight their loss deplore,
And blame their Fates they were not born before.
Do not old men rejoyce their Fates did last,
And infants too, that theirs did make such hast,
In such a welcome time to bring them forth,
That they might be a witness to her worth.
Who undertakes this subject to commend
Shall nothing find so hard as how to end.


Scheme Text too long
Poetic Form
Metre 1111110110 0111110110 111110111 0101011110 0100111111 1101110111 11111101010 11111111110 0101110101 1111111111 111101111 0111111101 11110010101 0101111111 1110110101 110111001 1101110111 010101101 11010111 11101100 110110101 1010111001 110101011 011111111 11010010101 1100110100 1101101101 0111010100 011111011 100111101 0101010111 011011011 11010011011 0111011101 111110101 11011111001 111010101 011000101 1111011101 1100110111 110100101 101011101 1101110011 1111011100 11110111001 1011010101 0101111101 11111101111 111111111 111011101 1100111101 0111011100 110101011 0110110101 11011111 1111111100 111111111 111110110 11111111 110101011 0101010111 1110010 111111111 1111110100 11101011111 1010111 101101111 1111010011 10111110101 1101011111 10111111010 111111101010 0100111111 0111010101 1101110101 11111011 011011011 11110111 1101010011 1101101001 0101110101 0101010101 11001010011 11111010101 01001111101 1101110101 11010100111 11010101 1111111101 0111101101 111111111 0101111111 0101011111 1111010101 110101101 1101111111
Closest metre Iambic pentameter
Characters 4,074
Words 760
Sentences 30
Stanzas 1
Stanza Lengths 96
Lines Amount 96
Letters per line (avg) 34
Words per line (avg) 8
Letters per stanza (avg) 3,267
Words per stanza (avg) 760
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Submitted on August 03, 2020

Modified on March 05, 2023

3:53 min read
28

Anne Bradstreet

Anne Bradstreet was the first poet and first female writer in the British North American colonies to be published. more…

All Anne Bradstreet poems | Anne Bradstreet Books

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