Analysis of On Beauty

Kahlil Gibran 1883 (Bsharri, Mount Lebanon Mutasarrifate) – 1931 ( New York City)



And a poet said, Speak to us of Beauty.
     And he answered:
     Where shall you seek beauty, and how shall your find her unless she herself be your way and your guide?
     And how shall you speak of her except she be the weaver of your speech?

The aggrieved and the injured say, “Beauty is kind and gentle.
     Like a young mother half-shy of her own glory she walks among us.”
     And the passionate say, “Nay, beauty is a thing of might and dread.
     Like the tempest she shakes the earth beneath us and the sky above us.”

The tired and the weary say, “Beauty is of soft whisperings. She speaks in our spirit.
     Her voice yields to our silences like a faint light that quivers in fear of the shadow.”
     But the restless say, “We have heard her shouting among the mountains,
     And with her cries came the sound of hoofs, and the beating of wings and the roaring of lions.”

At night the watchmen of the city say, “Beauty shall rise with the dawn from the east.”
     And at noontide the toilers and the wayfarers say, “We have seen her leaning over the earth from the windows of the sunset.”

In winter say the snow-bound, “She shall come with the spring leaping upon the hills.”
     And in the summer heat the reapers say, “We have seen her dancing with the autumn leaves, and we saw a drift of snow in her hair.”
     All these things have you said of beauty,
     Yet in truth you spoke not of her but of needs unsatisfied,
     And beauty is not a need but an ecstasy
     It is not a mouth thirsting nor an empty hand stretched forth,
     But rather a heart enflamed and a soul enchanted.
     It is not in the image you would see nor the song you would hear,
     But rather an image you see though you close your eyes and a song you hear though you shut your ears.
     It is not the sap within the furrowed bark, nor a wing attached to a claw,
     But rather a garden for ever in bloom and a flock of angels for ever in flight.

People of Orphalese, beauty is life when life unveils    her holy face.
     But you are life and you are the veil.
     Beauty is eternity gazing at itself in a mirror.
     But you are eternity and you are the mirror.


Scheme AXBX XCXC XXDD XX XXABAXXXXXX XXEE
Poetic Form
Metre 00101111110 0110 11111001111001101111011 01111100111010111 001001011011010 10110111011011011 0010011101011101 10101101011001011 010001011011111101010 01111010010111101101 1010111101001010 0101101110010110010110 11010101011011101101 01101001111101010011010101 0101011111101100101 000101011111010101010110111001 111111110 10111110111010 010110111100 1110111110111 110011001010 1110010111101111 11011011111110011111111 1110101010110101101 1100101100100111011001 1011101111010101 111101101 1010100101010010 1110100011010
Characters 2,204
Words 410
Sentences 22
Stanzas 6
Stanza Lengths 4, 4, 4, 2, 11, 4
Lines Amount 29
Letters per line (avg) 55
Words per line (avg) 14
Letters per stanza (avg) 266
Words per stanza (avg) 68
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Submitted by halel on July 13, 2020

Modified on May 03, 2023

2:03 min read
93

Kahlil Gibran

Gibran Khalil Gibran (Arabic: جبران خليل جبران‎, ALA-LC: Jubrān Khalīl Jubrān, pronounced [ʒʊˈbraːn xaˈliːl ʒʊˈbraːn], or Jibrān Khalīl Jibrān, pronounced [ʒɪˈbraːn xaˈliːl ʒɪˈbraːn]; January 6, 1883 – April 10, 1931), usually referred to in English as Kahlil Gibran (pronounced kah-LEEL ji-BRAHN), was a Lebanese-American writer, poet and visual artist, also considered a philosopher although he himself rejected the title. He is best known as the author of The Prophet, which was first published in the United States in 1923 and has since become one of the best-selling books of all time, having been translated into more than 100 languages. Born in a village of the Ottoman-ruled Mount Lebanon Mutasarrifate to a Maronite family, the young Gibran immigrated with his mother and siblings to the United States in 1895. As his mother worked as a seamstress, he was enrolled at a school in Boston, where his creative abilities were quickly noticed by a teacher who presented him to photographer and publisher F. Holland Day. Gibran was sent back to his native land by his family at the age of fifteen to enroll at the Collège de la Sagesse in Beirut. Returning to Boston upon his youngest sister's death in 1902, he lost his older half-brother and his mother the following year, seemingly relying afterwards on his remaining sister's income from her work at a dressmaker's shop for some time. In 1904, Gibran's drawings were displayed for the first time at Day's studio in Boston, and his first book in Arabic was published in 1905 in New York City. With the financial help of a newly met benefactress, Mary Haskell, Gibran studied art in Paris from 1908 to 1910. While there, he came in contact with Syrian political thinkers promoting rebellion in the Ottoman Empire after the Young Turk Revolution; some of Gibran's writings, voicing the same ideas as well as anti-clericalism, would eventually be banned by the Ottoman authorities. In 1911, Gibran settled in New York, where his first book in English, The Madman, would be published by Alfred A. Knopf in 1918, with writing of The Prophet or The Earth Gods also underway. His visual artwork was shown at Montross Gallery in 1914, and at the galleries of M. Knoedler & Co. in 1917. He had also been corresponding remarkably with May Ziadeh since 1912. In 1920, Gibran re-founded the Pen League with fellow Mahjari poets. By the time of his death at the age of 48 from cirrhosis and incipient tuberculosis in one lung, he had achieved literary fame on "both sides of the Atlantic Ocean," and The Prophet had already been translated into German and French. His body was transferred to his birth village of Bsharri (in present-day Lebanon), to which he had bequeathed all future royalties on his books, and where a museum dedicated to his works now stands. As worded by Suheil Bushrui and Joe Jenkins, Gibran's life has been described as one "often caught between Nietzschean rebellion, Blakean pantheism and Sufi mysticism." Gibran discussed different themes in his writings, and explored diverse literary forms. Salma Khadra Jayyusi has called him "the single most important influence on Arabic poetry and literature during the first half of [the twentieth] century," and he is still celebrated as a literary hero in Lebanon. At the same time, "most of Gibran's paintings expressed his personal vision, incorporating spiritual and mythological symbolism," with art critic Alice Raphael recognizing in the painter a classicist, whose work owed "more to the findings of Da Vinci than it [did] to any modern insurgent." His "prodigious body of work" has been described as "an artistic legacy to people of all nations."  more…

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