Analysis of The Troubadour. Canto 4 E (Reunion)



AND praise rang forth, the prize is won,
Young minstrel, thou hast equal none!
They led him to the lady's seat,
And knelt he down at EVA'S feet;
She bent his victor brow to deck,
And, fainting, sunk upon his neck!
The cap and plume aside were thrown,
'Twas as the grave restored its own,
And sent its victim forth to share
Light, life, and hope, and sun, and air.

That day the feast spread gay and bright
In honour of the youthful knight,
And it was EVA'S fairy hand
Met RAYMOND'S in the saraband,
And it was EVA'S ear that heard
Many a low and love-tuned word.—
And life seem'd as a sunny stream,
And hope awaked as from a dream;
But what has minstrel left to tell
When love has not an obstacle?
My lute is hush'd, and mute its chords,
The heart and happiness have no words!

MY tale is told, the glad sunshine
Fell over its commencing line,—
It was a morn in June, the sun
Was blessing all it shone upon,
The sky was clear as not a cloud
Were ever on its face allow'd;
The hill whereon I stood was made
A pleasant place of summer shade
By the green elms which seem'd as meant
To make the noon a shadowy tent.
I had been bent half sleep, half wake,
Dreaming those rainbow dreams that take
The spirit prisoner in their chain,
Too beautiful to be quite vain,—
Enough if they can soothe or cheer
One moment's pain or sorrow here.
And I was happy; hope and fame
Together on my visions came,
For memory had just dipp'd her wings
In honey dews, and sunlit springs,—
My brow burnt with its early wreath,
My soul had drank its first sweet breath
Of praise, and yet my cheek was flushing,
My heart with the full torrent gushing
Of feelings whose delighted mood
Was mingling joy and gratitude.
Scarce possible it seem'd to be
That such praise could be meant for me.—
Enured to coldness and neglect,
My spirit chill'd, my breathing check'd,
All that can crowd and crush the mind,
Friends even more than fate unkind,
And fortunes stamp'd with the pale sign
That marks and makes autumn's decline.
How could I stand in the sunshine,
And marvel not that it was mine?
One word, if ever happiness
In its most passionate excess
Offer'd its wine to human lip,
It has been mine that cup to sip.
I may not say with what deep dread
The words of my first song were said,
I may not say how much delight
Has been upon my minstrel flight.—
'Tis vain, and yet my heart would say
Somewhat to those who made my way
A path of light, with power to kill,
To check, to crush, but not the will.
Thanks for the gentleness that lent
My young lute such encouragement,
When scorn had turn'd my heart to stone,
Oh, their's be thanks and benison!

Back to the summer hill again,
When first I thought upon this strain,
And music rose upon the air,
I look'd below, and, gather'd there,
Rode soldiers with their breast-plates glancing,
Helmets and snow-white feathers dancing,
And trumpets at whose martial sound
Prouder the war horse trod the ground,
And waved their flag with many a name
Of battles and each battle fame.
And as I mark'd the gallant line
Pass through the green lane's serpentine,
And as I saw the boughs give way
Before the crimson pennons' play;
To other days my fancy went,
Call'd up the stirring tournament,
The dark-eyed maiden who for years
Kept the vows seal'd by parting tears,
While he who own'd her plighted hand
Was fighting in the Holy Land.
The youthful knight with his gay crest,
His ladye's scarf upon a breast
Whose truth was kept, come life, come death,—
Alas! has modern love such faith?
I thought how in the moon-lit hour
The minstrel hymn'd his maiden's bower,
His helm and sword changed for the lute
And one sweet song to urge his suit.
Floated around me moated hall,
And donjon keep, and frowning wall;
I saw the marshall'd hosts advance,
I gazed on banner, brand, and lance;
The murmur of a low song came
Bearing one only worshipp'd name;
And my next song, I said, should be
A tale of gone-by chivalry.

My task is done, the tale is told,
The lute drops from my wearied hold;
Spreads no green earth, no summer sky
To raise fresh visions for my eye,
The hour is dark, the winter rain
Beats cold and harsh against the pane,
Where, spendthrift like, the branches twine,
Worn, knotted, of a leafless vine;
And the wind howls in gusts around,
As omens were in each drear sound,—
Omens that bear upon their breath
Tidings of sorrow, pain, and death.
Thus should it be,—I could not bear
The breath of flowers, the sunny air
Upon that ending page should be
Which ONE will never, never see.
Yet who will love it like that one,
Who cherish as he would have done,
My father! albeit but in vain
This clasping of a broken chain,
And albeit of all vainest things
That haunt with sad imaginings,
None has the sting of memory;
Yet still my spirit turns to thee,
Despite of long and lone regret,
Rejoicing it cannot forget.
I would not lose the lightest thought
With one remembrance of thine fraught,—
And my heart said no name, but thine
Should be on this last page of mine.

My father, though no more, thine ear
Censure or praise of mine can hear,
It soothes me to embalm thy name
With all my hope, my pride, my fame,
Treasures of Fancy's fairy hall,—
Thy name most precious far of all.

My page is wet with bitter tears,—
I cannot but think of those years
When happiness and I would wait
On summer evenings by the gate,
And keep o'er the green fields our watch
The first sound of thy step to catch,
Then run for the first kiss, and word,—
An unkind one I never heard.
But these are pleasant memories,
And later years have none like these:
They came with griefs, and pains, and cares,
All that the heart breaks while it bears;
Desolate as I feel alone
I should not weep that thou art gone.
Alas! the tears that still will fall
Are selfish in their fond recall;—
If ever tears could win from Heaven
A loved one, and yet be forgiven,
Mine surely might; I may not tell
The agony of my farewell!
A single tear I had not shed,—
'Twas the first time I mourn'd the dead:—
It was my heaviest loss, my worst,—
My father!—and was thine the first!

Farewell! in my heart is a spot
Where other griefs and cares come not,
Hallow'd by love, by memory kept,
And deeply honour'd, deeply wept.
My own dead father, time may bring
Chance, change, upon his rainbow-wing,
But never will thy name depart
The household god of thy child's heart,
Until thy orphan girl may share
The grave where her best feelings are.
Never, dear father, love can be,
Like the dear love I had for thee!


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Poetic Form
Metre 01110111 11011101 11110101 01111101 11110111 01010111 01010101 11010111 01110111 11010101 11011101 0110101 01110101 11001 01110111 10010111 01110101 0111101 11110111 11111100 11110111 010100111 1111011 11010101 11010101 11011101 01111101 01011101 0111111 01011101 10111111 110101001 11111111 1011111 010100011 11001111 01111111 11011101 01110101 01011101 110011101 0101011 11111101 11111111 110111110 111011010 11010101 11001010 11001111 11111111 1110001 11011101 11110101 11011101 01011011 11011001 1111001 01011111 11110100 0111001 10111101 11111111 11111111 01111101 11111101 11011101 11011111 11111111 011111011 11111101 11010011 11110100 11111111 111101 11010101 11110111 01010101 11010101 110111110 100111010 01011101 10011101 011111001 11001101 01110101 1101110 01110111 0101011 11011101 11010100 01110111 10111101 1111011 11000101 01011111 1110101 11111111 01110111 111001110 01011110 11011101 01111111 1001111 0110101 11010101 11110101 01010111 10110101 01111111 01111100 11110111 01111101 11111101 11110111 010110101 11010101 1110101 11010101 00110101 11000111 10110111 10110101 11111111 011100101 01110111 11110101 11111111 11011111 110010101 1110101 00101111 11111 11011100 11110111 01110101 01011001 11110101 11010111 01111111 11111111 11011111 10111111 11110111 11111111 1011101 11110111 11111101 11011111 11000111 11010101 0110011101 01111111 11101101 10111101 11110100 01011111 11110101 11011111 10011101 11111111 01011111 1100111 110111110 011011010 11011111 0100111 01011111 10111101 111100111 11001101 1011101 11010111 101111001 0101101 11110111 1101111 11011101 0111111 01110111 01101101 10110111 10111111
Closest metre Iambic tetrameter
Characters 6,356
Words 1,226
Sentences 38
Stanzas 8
Stanza Lengths 10, 12, 52, 36, 30, 6, 24, 12
Lines Amount 182
Letters per line (avg) 27
Words per line (avg) 7
Letters per stanza (avg) 622
Words per stanza (avg) 151
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Submitted by Madeleine Quinn on September 01, 2016

Modified on March 14, 2023

6:19 min read
131

Letitia Elizabeth Landon

Letitia Elizabeth Landon was an English poet. Born 14th August 1802 at 25 Hans Place, Chelsea, she lived through the most productive period of her life nearby, at No.22. A precocious child with a natural gift for poetry, she was driven by the financial needs of her family to become a professional writer and thus a target for malicious gossip (although her three children by William Jerdan were successfully hidden from the public). In 1838, she married George Maclean, governor of Cape Coast Castle on the Gold Coast, whence she travelled, only to die a few months later (15th October) of a fatal heart condition. Behind her post-Romantic style of sentimentality lie preoccupations with art, decay and loss that give her poetry its characteristic intensity and in this vein she attempted to reinterpret some of the great male texts from a woman’s perspective. Her originality rapidly led to her being one of the most read authors of her day and her influence, commencing with Tennyson in England and Poe in America, was long-lasting. However, Victorian attitudes led to her poetry being misrepresented and she became excluded from the canon of English literature, where she belongs. more…

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