Analysis of White Rose And Red

Augusta Davies Webster 1837 (Poole, Dorset) – 1894



WHITE rose sighed in the morn,
Red rose laughed in the noon,
And 'Sweetest sweetness is ended soon,'
And 'Never heed for the thorn.'

'Love's hour passes away,'
White rose breathed in my ear;
Red rose whispered 'No need to fear;
The day is enough for day.'

Shall I heed white or red?
Shall I heed both aright?
Sighing and laughing, red and white,
'Tis 'Love her' they both have said.


Scheme ABBA CXXC DDXD
Poetic Form Quatrain  (33%)
Metre 111001 111001 010101101 0101101 1101001 111011 11101111 0110111 111111 11111 10010101 1101111
Closest metre Iambic trimeter
Characters 379
Words 77
Sentences 6
Stanzas 3
Stanza Lengths 4, 4, 4
Lines Amount 12
Letters per line (avg) 24
Words per line (avg) 6
Letters per stanza (avg) 96
Words per stanza (avg) 24
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Submitted on May 13, 2011

Modified on March 30, 2023

22 sec read
86

Augusta Davies Webster

Augusta Webster born in Poole, Dorset as Julia Augusta Davies, was an English poet, dramatist, essayist, and translator. The daughter of Vice-admiral George Davies and Julia Hume, she spent her younger years on board the ship he was stationed, the Griper. She studied Greek at home, taking a particular interest in Greek drama, and went on to study at the Cambridge School of Art. She published her first volume of poetry in 1860 under the pen name Cecil Homes. In 1863, she married Thomas Webster, a fellow at Trinity College, Cambridge. They had a daughter, Augusta Georgiana, who married Reverend George Theobald Bourke, a younger son of the Joseph Bourke, 3rd Earl of Mayo. Much of Webster's writing explored the condition of women, and she was a strong advocate of women's right to vote, working for the London branch of the National Committee for Women's Suffrage. She was the first female writer to hold elective office, having been elected to the London School Board in 1879 and 1885. In 1885 she travelled to Italy in an attempt to improve her failing health. She died on 5 September 1894, aged 57. During her lifetime her writing was acclaimed and she was considered by some the successor to Elizabeth Barrett Browning. After her death, however, her reputation quickly declined. Since the mid-1990s she has gained increasing critical attention from scholars such as Isobel Armstrong, Angela Leighton, and Christine Sutphin. Her best-known poems include three long dramatic monologues spoken by women: A Castaway, Circe, and The Happiest Girl In The World, as well as a posthumously published sonnet-sequence, "Mother and Daughter". more…

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