Analysis of John and Freddy



JOHN courted lovely MARY ANN,
So likewise did his brother, FREDDY.
FRED was a very soft young man,
While JOHN, though quick, was most unsteady.

FRED was a graceful kind of youth,
But JOHN was very much the strongest.
"Oh, dance away," said she, "in truth,
I'll marry him who dances longest."

JOHN tries the maiden's taste to strike
With gay, grotesque, outrageous dresses,
And dances comically, like
CLODOCHE AND Co., at the Princess's.

But FREDDY tries another style,
He knows some graceful steps and does 'em -
A breathing Poem - Woman's smile -
A man all poesy and buzzem.

Now FREDDY'S operatic PAS -
Now JOHNNY'S hornpipe seems entrapping:
Now FREDDY'S graceful ENTRECHATS -
Now JOHNNY'S skilful "cellar-flapping."

For many hours - for many days -
For many weeks performed each brother,
For each was active in his ways,
And neither would give in to t'other.

After a month of this, they say
(The maid was getting bored and moody)
A wandering curate passed that way
And talked a lot of goody-goody.

"Oh my," said he, with solemn frown,
"I tremble for each dancing FRATER,
Like unregenerated clown
And harlequin at some the-ayter."

He showed that men, in dancing, do
Both impiously and absurdly,
And proved his proposition true,
With Firstly, Secondly, and Thirdly.

For months both JOHN and FREDDY danced,
The curate's protests little heeding;
For months the curate's words enhanced
The sinfulness of their proceeding.

At length they bowed to Nature's rule -
Their steps grew feeble and unsteady,
Till FREDDY fainted on a stool,
And JOHNNY on the top of FREDDY.

"Decide!" quoth they, "let him be named,
Who henceforth as his wife may rank you."
"I've changed my views," the maiden said,
"I only marry curates, thank you!"

Says FREDDY, "Here is goings on!
To bust myself with rage I'm ready."
"I'll be a curate!" whispers JOHN -
"And I," exclaimed poetic FREDDY.

But while they read for it, these chaps,
The curate booked the maiden bonny -
And when she's buried him, perhaps,
She'll marry FREDERICK or JOHNNY.


Scheme ABAB CDCD EFEX GHGH XEFI JKJK LBLB MKMK NBNB OIOI PBPB XNXN QBQB RBRB
Poetic Form Quatrain  (93%)
Metre 11010101 11111010 11010111 111111010 11010111 111101010 11011101 110111010 1101111 110101010 01010001 10110100 11010101 111101011 01010101 011101 1100101 1101011 110101 11011010 110101101 110101110 11110011 0101101110 10011111 011101010 010010111 010111010 11111101 110111010 111 01001101 11110101 110010 0110101 110100010 11110101 0111010 1101101 0111010 11111101 111100010 11010101 010101110 1111111 111111111 11110101 11010111 11011101 11111110 11010101 010101010 11111111 010101010 01110101 11010110
Closest metre Iambic tetrameter
Characters 1,963
Words 359
Sentences 23
Stanzas 14
Stanza Lengths 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4, 4
Lines Amount 56
Letters per line (avg) 28
Words per line (avg) 6
Letters per stanza (avg) 110
Words per stanza (avg) 25
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Submitted on May 13, 2011

Modified on March 05, 2023

1:49 min read
52

William Schwenck Gilbert

Sir William Schwenck Gilbert was an English dramatist librettist poet and illustrator best known for his fourteen comic operas produced in collaboration with the composer Sir Arthur Sullivan of which the most famous include HMS Pinafore The Pirates of Penzance and one of the most frequently performed works in the history of musical theatre The Mikado These as well as most of their other Savoy operas continue to be performed regularly throughout the English-speaking world and beyond by opera companies repertory companies schools and community theatre groups Lines from these works have become part of the English language such as short sharp shock What never Well hardly ever and Let the punishment fit the crime Gilbert also wrote the Bab Ballads an extensive collection of light verse accompanied by his own comical drawings His creative output included over 75 plays and libretti numerous stories poems lyrics and various other comic and serious pieces His plays and realistic style of stage direction inspired other dramatists including Oscar Wilde and George Bernard Shaw According to The Cambridge History of English and American Literature Gilberts lyrical facility and his mastery of metre raised the poetical quality of comic opera to a position that it had never reached before and has not reached since Source - Wikipedia more…

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