Analysis of Arabian Night's Entertainments

William Ernest Henley 1849 (Gloucester) – 1903 (Woking)



Once on a time
There was a little boy: a master-mage
By virtue of a Book
Of magic--O, so magical it filled
His life with visionary pomps
Processional! And Powers
Passed with him where he passed. And Thrones
And Dominations, glaived and plumed and mailed,
Thronged in the criss-cross streets,
The palaces pell-mell with playing-fields,
Domes, cloisters, dungeons, caverns, tents, arcades,
Of the unseen, silent City, in his soul
Pavilioned jealously, and hid
As in the dusk, profound,
Green stillnesses of some enchanted mere. -

I shut mine eyes . . . And lo!
A flickering snatch of memory that floats
Upon the face of a pool of darkness five
And thirty dead years deep,
Antic in girlish broideries
And skirts and silly shoes with straps
And a broad-ribanded leghorn, he walks
Plain in the shadow of a church
(St. Michael's: in whose brazen call
To curfew his first wails of wrath were whelmed),
Sedate for all his haste
To be at home; and, nestled in his arm,
Inciting still to quiet and solitude,
Boarded in sober drab,
With small, square, agitating cuts
Let in a-top of the double-columned, close,
Quakerlike print, a Book! . . .
What but that blessed brief
Of what is gallantest and best
In all the full-shelved Libraries of Romance?
The Book of rocs,
Sandalwood, ivory, turbans, ambergris,
Cream-tarts, and lettered apes, and calendars,
And ghouls, and genies--O, so huge
They might have overed the tall Minster Tower
Hands down, as schoolboys take a post!
In truth, the Book of Camaralzaman,
Schemselnihar and Sindbad, Scheherezade
The peerless, Bedreddin, Badroulbadour,
Cairo and Serendib and Candahar,
And Caspian, and the dim, terrific bulk -
Ice-ribbed, fiend-visited, isled in spells and storms -
Of Kaf! . . . That centre of miracles,
The sole, unparalleled Arabian Nights!

Old friends I had a-many--kindly and grim
Familiars, cronies quaint
And goblin! Never a Wood but housed
Some morrice of dainty dapperlings. No Brook
But had his nunnery
Of green-haired, silvry-curving sprites,
To cabin in his grots, and pace
His lilied margents. Every lone Hillside
Might open upon Elf-Land. Every Stalk
That curled about a Bean-stick was of the breed
Of that live ladder by whose delicate rungs
You climbed beyond the clouds, and found
The Farm-House where the Ogre, gorged
And drowsy, from his great oak chair,
Among the flitches and pewters at the fire,
Called for his Faery Harp. And in it flew,
And, perching on the kitchen table, sang
Jocund and jubilant, with a sound
Of those gay, golden-vowered madrigals
The shy thrush at mid-May
Flutes from wet orchards flushed with the triumphing dawn;
Or blackbirds rioting as they listened still,
In old-world woodlands rapt with an old-world spring,
For Pan's own whistle, savage and rich and lewd,
And mocked him call for call!

I could not pass
The half-door where the cobbler sat in view
Nor figure me the wizen Leprechaun,
In square-cut, faded reds and buckle-shoes,
Bent at his work in the hedge-side, and know
Just how he tapped his brogue, and twitched
His wax-end this and that way, both with wrists
And elbows. In the rich June fields,
Where the ripe clover drew the bees,
And the tall quakers trembled, and the West Wind
Lolled his half-holiday away
Beside me lolling and lounging through my own,
'Twas good to follow the Miller's Youngest Son
On his white horse along the leafy lanes;
For at his stirrup linked and ran,
Not cynical and trapesing, as he loped
From wall to wall above the espaliers,
But in the bravest tops
That market-town, a town of tops, could show:
Bold, subtle, adventurous, his tail
A banner flaunted in disdain
Of human stratagems and shifts:
King over All the Catlands, present and past
And future, that moustached
Artificer of fortunes, Puss-in-Boots!
Or Bluebeard's Closet, with its plenishing
Of meat-hooks, sawdust, blood,
And wives that hung like fresh-dressed carcases -
Odd-fangled, most a butcher's, part
A faery chamber hazily seen
And hazily figured--on dark afternoons
And windy nights was visiting of the best.
Then, too, the pelt of hoofs
Out in the roaring darkness told
Of Herne the Hunter in his antlered helm
Galloping, as with despatches from the Pit,
Between his hell-born Hounds.
And Rip Van Winkle . . . often I lurked to hear,
Outside the long, low timbered, tarry wall,
The mutter and rumble of the trolling bowls
Down the lean plank, before they fluttered the pins;
For, listening, I could help him


Scheme XABCDDDXDDDXXEF GDXXDDDXHCXXIXDDBXJDDDDAKXLCFFXDDD MXXBXDDXXXDECXKNXEDOLXXIH DNLDGXDDDXOLLDLCDDGXLDXCDBXDXLDJDXXXDXHDDM
Poetic Form
Metre 1101 1101010101 110101 1101110011 1111001 0100010 11111101 0110101 100111 0100111101 1101010101 10011010011 110001 100101 11110101 111101 01001110011 01011011101 010111 100101 01010111 00111011 1001101 11001101 1101111101 011111 1111010011 0101110010 100101 1111001 10011010101 1101 11111 111101 0101110101 0111 110010100 1101010100 0101111 1111011010 1111101 010111 1011 01011 100101 01000010101 11110010101 111101100 0101001001 11110101001 1101 010100111 11110111 111100 1111101 11001101 11110011 11001111001 11010111101 11110111001 11010101 01110101 01011111 0101011010 111110011 011010101 10100101 111101100 011111 1111011011 11010011101 0111111111 11110100101 011111 1111 0111010101 11010101 0111010101 1111001101 11111101 1111011111 0100111 10110101 00110100011 1111001 01110010111 11110010101 1111010101 11110101 110001111 11110101 100101 1101011111 110010011 01010001 11010001 1101011001 01011 1110101 1110111 11111 01111111 11010101 011011 01101101 01011100101 110111 10010101 1101001101 100111101 011111 01110101111 110111101 01001010101 10110111001 11001111
Closest metre Iambic pentameter
Characters 4,292
Words 734
Sentences 33
Stanzas 4
Stanza Lengths 15, 34, 25, 42
Lines Amount 116
Letters per line (avg) 30
Words per line (avg) 6
Letters per stanza (avg) 865
Words per stanza (avg) 187
Font size:
 

Submitted on May 13, 2011

Modified on April 03, 2023

3:41 min read
77

William Ernest Henley

William Ernest Henley was an English poet, critic and editor, best remembered for his 1875 poem "Invictus". more…

All William Ernest Henley poems | William Ernest Henley Books

3 fans

Discuss this William Ernest Henley poem analysis with the community:

0 Comments

    Citation

    Use the citation below to add this poem analysis to your bibliography:

    Style:MLAChicagoAPA

    "Arabian Night's Entertainments" Poetry.com. STANDS4 LLC, 2024. Web. 16 Apr. 2024. <https://www.poetry.com/poem-analysis/40437/arabian-night%27s-entertainments>.

    Become a member!

    Join our community of poets and poetry lovers to share your work and offer feedback and encouragement to writers all over the world!

    April 2024

    Poetry Contest

    Join our monthly contest for an opportunity to win cash prizes and attain global acclaim for your talent.
    14
    days
    16
    hours
    19
    minutes

    Special Program

    Earn Rewards!

    Unlock exciting rewards such as a free mug and free contest pass by commenting on fellow members' poems today!

    Browse Poetry.com

    Quiz

    Are you a poetry master?

    »
    In poetry, the word "foot" refers to _______.
    A a unit of 12 lines
    B a dozen poems
    C two or more syllables
    D one stanza