Analysis of Ode to Melancholy



Come, let us set our careful breasts,
Like Philomel, against the thorn,
To aggravate the inward grief,
That makes her accents so forlorn;
The world has many cruel points,
Whereby our bosoms have been torn,
And there are dainty themes of grief,
In sadness to outlast the morn,—
True honor's dearth, affection's death,
Neglectful pride, and cankering scorn,
With all the piteous tales that tears
Have water'd since the world was born.

The world!—it is a wilderness,
Where tears are hung on every tree;
For thus my gloomy phantasy
Makes all things weep with me!
Come let us sit and watch the sky,
And fancy clouds, where no clouds be;
Grief is enough to blot the eye,
And make heaven black with misery.
Why should birds sing such merry notes,
Unless they were more blest than we?
No sorrow ever chokes their throats,
Except sweet nightingale; for she
Was born to pain our hearts the more
With her sad melody.
Why shines the Sun, except that he
Makes gloomy nooks for Grief to hide,
And pensive shades for Melancholy,
When all the earth is bright beside?
Let clay wear smiles, and green grass wave,
Mirth shall not win us back again,
Whilst man is made of his own grave,
And fairest clouds but gilded rain!

I saw my mother in her shroud,
Her cheek was cold and very pale;
And ever since I've look'd on all
As creatures doom'd to fail!
Why do buds ope except to die?
Ay, let us watch the roses wither,
And think of our loves' cheeks;
And oh! how quickly time doth fly
To bring death's winter hither!
Minutes, hours, days, and weeks,
Months, years, and ages, shrink to nought;
An age past is but a thought!

Ay, let us think of Him awhile
That, with a coffin for a boat,
Rows daily o'er the Stygian moat,
And for our table choose a tomb:
There's dark enough in any skull
To charge with black a raven plume;
And for the saddest funeral thoughts
A winding-sheet hath ample room,
Where Death, with his keen-pointed style,
Hath writ the common doom.
How wide the yew-tree spreads its gloom,
And o'er the dead lets fall its dew,
As if in tears it wept for them,
The many human families
That sleep around its stem!

How cold the dead have made these stones,
With natural drops kept ever wet!
Lo! here the best—the worst—the world
Doth now remember or forget,
Are in one common ruin hurl'd,
And love and hate are calmly met;
The loveliest eyes that ever shone,
The fairest hands, and locks of jet.
Is't not enough to vex our souls,
And fill our eyes, that we have set
Our love upon a rose's leaf,
Our hearts upon a violet?
Blue eyes, red cheeks, are frailer yet;
And sometimes at their swift decay
Beforehand we must fret.
The roses bud and bloom, again;
But Love may haunt the grave of Love,
And watch the mould in vain.

O clasp me, sweet, whilst thou art mine,
And do not take my tears amiss;
For tears must flow to wash away
A thought that shows so stern as this:
Forgive, if somewhile I forget,
In woe to come, the present bliss;
As frighted Proserpine let fall
Her flowers at the sight of Dis,
Ev'n so the dark and bright will kiss.
The sunniest things throw sternest shade,
And there is ev'n a happiness
That makes the heart afraid!

Now let us with a spell invoke
The full-orb'd moon to grieve our eyes;
Not bright, not bright, but, with a cloud
Lapp'd all about her, let her rise
All pale and dim, as if from rest
The ghost of the late-buried sun
Had crept into the skies.
The Moon! she is the source of sighs,
The very face to make us sad;
If but to think in other times
The same calm quiet look she had,
As if the world held nothing base,
Of vile and mean, of fierce and bad;
The same fair light that shone in streams,
The fairy lamp that charmed the lad;
For so it is, with spent delights
She taunts men's brains, and makes them mad.

All things are touch'd with Melancholy,
Born of the secret soul's mistrust,
To feel her fair ethereal wings
Weigh'd down with vile degraded dust;
Even the bright extremes of joy
Bring on conclusions of disgust,
Like the sweet blossoms of the May,
Whose fragrance ends in must.
O give her, then, her tribute just,
Her sighs and tears, and musings holy;
There is no music in the life
That sounds with idiot laughter solely;
There's not a string attuned to mirth,
But has its chord in Melancholy.


Scheme ABCBXBCBXBXB DEAEFEFEGEGEXEEHEHIJIK LMNMFOPFOPHX QRRSXSXSQSSXTXT XUVUVUXUXUCXUWUJXK XXWXUXNXXYDY XZLZXXZZ1 X1 X1 X1 X1 E2 X2 X2 W2 2 EXEXE
Poetic Form
Metre 111110101 110101 1100101 11010101 01110101 01101111 01110111 0101101 110111 0101011 1101111 11010111 01110100 111111001 111101 111111 11110101 01011111 11011101 011011100 11111101 01101111 11010111 01110011 111110101 101100 11010111 11011111 01011100 11011101 11110111 11111101 11111111 01011101 11110001 01110101 01011111 110111 11110111 111101010 0111011 01110111 1111010 1010101 11010111 1111101 11111101 11010101 1101001001 011010101 11010101 11110101 010101001 01011101 11111101 110101 11011111 010011111 11011111 01010100 110111 11011111 110011101 11010101 11010101 10110101 01011101 0111101 01010111 1110111101 011011111 101010101 101010100 1111111 00111101 01111 01010101 11110111 010101 11111111 01111101 11111101 01111111 0111101 01110101 11111 01010111 111010111 0111101 011110100 110101 11110101 011111101 11111101 11010101 11011111 01101101 110101 01110111 01011111 11110101 01110111 11011101 11011101 01111101 01011101 11111101 11110111 11111100 11010101 110101001 11110101 10010111 11010101 10110101 110101 11010101 010101010 11110001 11110010100 11010111 11110100
Closest metre Iambic tetrameter
Characters 4,231
Words 792
Sentences 29
Stanzas 8
Stanza Lengths 12, 22, 12, 15, 18, 12, 17, 14
Lines Amount 122
Letters per line (avg) 27
Words per line (avg) 6
Letters per stanza (avg) 408
Words per stanza (avg) 99
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Submitted on May 13, 2011

Modified on March 29, 2023

4:04 min read
120

Thomas Hood

Thomas Hood was a British humorist and poet. His son, Tom Hood, became a well known playwright and editor. more…

All Thomas Hood poems | Thomas Hood Books

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