Analysis of A Hymn to the Name and Honour of the Admirable Saint Teresa

Richard Crashaw 1612 (London) – 1649 (Loreto, Marche)



LOVE, thou are absolute, sole Lord
Of life and death. To prove the word,
We'll now appeal to none of all
Those thy old soldiers, great and tall,
Ripe men of martyrdom, that could reach down
With strong arms their triumphant crown:
Such as could with lusty breath
Speak loud, unto the face of death,
Their great Lord's glorious name; to none
Of those whose spacious bosoms spread a throne
For love at large to fill. Spare blood and sweat:
We'll see Him take a private seat,
And make His mansion in the mild
And milky soul of a soft child.
Scarce has she learnt to lisp a name
Of martyr, yet she thinks it shame
Life should so long play with that breath
Which spent can buy so brave a death.
She never undertook to know
What death with love should have to do.
Nor has she e'er yet understood
Why, to show love, she should shed blood;
Yet, though she cannot tell you why,
She can love, and she can die.
Scarce has she blood enough to make
A guilty sword blush for her sake;
Yet has a heart dares hope to prove
How much less strong is death than love....

Since 'tis not to be had at home,
She'll travel for a martyrdom.
No home for her, confesses she,
But where she may a martyr be.
She'll to the Moors, and trade with them
For this unvalued diadem;
She offers them her dearest breath,
With Christ's name in 't, in charge for death:
She'll bargain with them, and will give
Them God, and teach them how to live
In Him; or, if they this deny,
For Him she'll teach them how to die.
So shall she leave amongst them sown
Her Lord's blood, or at least her own.

Farewell then, all the world, adieu!
Teresa is no more for you.
Farewell all pleasures, sports, and joys,
Never till now esteemed toys!

Farewell whatever dear may be--
Mother's arms, or father's knee!
Farewell house, and farewell home!
She 's for the Moors and Martyrdom.

Sweet, not so fast; lo! thy fair spouse,
Whom thou seek'st with so swift vows,
Calls thee back, and bids thee come
T' embrace a milder martyrdom....

O how oft shalt thou complain
Of a sweet and subtle pain!
Of intolerable joys!
Of a death, in which who dies
Loves his death, and dies again,
And would for ever so be slain;
And lives and dies, and knows not why
To live, but that he still may die!
How kindly will thy gentle heart
Kiss the sweetly-killing dart!
And close in his embraces keep
Those delicious wounds, that weep
Balsam, to heal themselves with thus,
When these thy deaths, so numerous,
Shall all at once die into one,
And melt thy soul's sweet mansion;
Like a soft lump of incense, hasted
By too hot a fire, and wasted
Into perfuming clouds, so fast
Shalt thou exhale to heaven at last
In a resolving sigh, and then,--
O what? Ask not the tongues of men.

Angels cannot tell; suffice,
Thyself shalt feel thine own full joys,
And hold them fast for ever there.
So soon as thou shalt first appear,
The moon of maiden stars, thy white
Mistress, attended by such bright
Souls as thy shining self, shall come,
And in her first ranks make thee room;
Where, 'mongst her snowy family,
Immortal welcomes wait for thee.
O what delight, when she shall stand
And teach thy lips heaven, with her hand,
On which thou now may'st to thy wishes
Heap up thy consecrated kisses!
What joy shall seize thy soul, when she,
Bending her blessed eyes on thee,
Those second smiles of heaven, shall dart
Her mild rays through thy melting heart!

Angels, thy old friends, there shall greet thee,
Glad at their own home now to meet thee.
All thy good works which went before,
And waited for thee at the door,
Shall own thee there; and all in one
Weave a constellation
Of crowns, with which the King, thy spouse,
Shall build up thy triumphant brows.
All thy old woes shall now smile on thee,
And thy pains sit bright upon thee:
All thy sorrows here shall shine,
And thy sufferings be divine.
Tears shall take comfort, and turn gems,
And wrongs repent to diadems.
Even thy deaths shall live, and new
Dress the soul which late they slew.
Thy wounds shall blush to such bright scars
As keep account of the Lamb's wars.

Those rare works, where thou shalt leave writ
Love's noble history, with wit
Taught thee by none but Him, while here
They feed our souls, shall clothe thine there.
Each heavenly word by whose hid flame
Our hard hearts shall strik


Scheme AXBBCCDDEFXXGGHHDDXIXJKKLLXX MNOOPPDDXXKKFF IIQQ OOMN RSNN TTQXUTKKVVWWXXEEAJYYUU XQZX1 1 NXOO2 2 XXOOVV OO3 3 EERSOO4 4 XQIIXX 5 5 XZHL
Poetic Form
Metre 1111011 11011101 11011111 11110101 1111001111 11110101 1111101 11100111 111100111 111101101 1111111101 11110101 01110001 01011011 11111101 11011111 11111111 11111101 1100111 11111111 11110101 11111111 11110111 1110111 11110111 01011101 11011111 11111111 11111111 11010100 11100101 11110101 11010111 11110 11010101 111010111 11011011 11011111 01111101 11111111 11110111 01111101 1110101 01011111 1110101 1011011 110111 1011101 11011 111010100 11111111 11111111 1110111 101010100 1111101 1010101 1010001 1010111 1110101 01110111 01010111 11111111 11011101 1010101 01010101 1010111 10110111 11111100 11111011 0111110 10111011 111010010 01010111 110111011 00010101 11110111 1010101 1111111 01111101 11111101 01110111 10010111 11110111 00011111 11010100 01010111 11011111 011110101 1111111110 11110010 11111111 1001111 110111011 01111101 101111111 111111111 11111101 01011101 11110101 10010 11110111 11110101 111111111 01111011 1110111 01100101 11110011 010111 10111101 1011111 11111111 11011011 11111111 11010011 11111111 111011111 110011111 101111
Closest metre Iambic tetrameter
Characters 4,250
Words 794
Sentences 37
Stanzas 9
Stanza Lengths 28, 14, 4, 4, 4, 22, 18, 18, 6
Lines Amount 118
Letters per line (avg) 28
Words per line (avg) 7
Letters per stanza (avg) 365
Words per stanza (avg) 88
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Submitted on May 13, 2011

Modified on April 19, 2023

4:03 min read
135

Richard Crashaw

Richard Crashaw, was an English poet, styled "the divine," and known as one of the central figures associated with the Metaphysical poets in 17th Century English literature. The son of a prominent Puritan minister, Crashaw was educated at Charterhouse School and Pembroke College, Cambridge. After taking a degree, Crashaw began to publish religious poetry and to teach at Cambridge. During the English Civil War he was ejected from his college position and went into exile in Italy. While in exile he converted from Anglicanism to Roman Catholicism. Crashaw's poetry is firmly within the Metaphysical tradition. Though his oeuvre is considered of uneven quality and among the weakest examples of the genre, his work is said to be marked by a focus toward "love with the smaller graces of life and the profounder truths of religion, while he seems forever preoccupied with the secret architecture of things." more…

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