Analysis of Cromwell's Return

Andrew Marvell 1621 (Winestead) – 1678 (London)



An Horatian Ode upon Cromwell's Return From Ireland

The forward youth that would appear
Must now forsake his muses dear,
Nor in the shadows sing,
His numbers languishing.
'Tis time to leave the books in dust,
And oil the unusèd armour's rust:
Removing from the wall
The corslet of the hall.
So restless Cromwell could not cease
In the inglorious arts of peace,
But through adventurous war
Urgèd his active star.
And, like the three-forked lightning, first
Breaking the clouds where it was nursed,
Did thorough his own side
His fiery way divide.
(For 'tis all one to courage high
The emulous or enemy:
And with such to inclose
Is more than to oppose.)
Then burning through the air he went,
And palaces and temples rent:
And Cæsar's head at last
Did through his laurels blast.
'Tis madness to resist or blame
The force of angry heaven's flame:
And, if we would speak true,
Much to the man is due,
Who from his private gardens, where
He lived reservèd and austere,
As if his highest plot
To plant the bergamot,
Could by industrious valour climb
To ruin the great work of time,
And cast the kingdoms old
Into another mould.
Though justice against fate complain,
And plead the ancient rights in vain:
But those do hold or break
As men are strong or weak.
Nature, that hateth emptiness,
Allows of penetration less:
And therefore must make room
Where greater spirits come.
What field of all the Civil Wars,
Where his were not the deepest scars?
And Hampton shows what part
He had of wiser art,
Where, twining subtle fears with hope,
He wove a net of such a scope,
That Charles himself might chase
To Carisbrooke's narrow case:
That then the royal actor born
The tragic scaffold might adorn:
While round the armèd bands
Did clap their bloody hands.
He nothing common did or mean
Upon that memorable scene:
But with his keener eye
The axe's edge did try:
Nor called the gods with vulgar spite
To vindicate his helpless right,
But bowed his comely head,
Down, as upon a bed.
This was that memorable hour
Which first assured the forcèd power.
So when they did design
The Capitol's first line,
A bleeding head where they begun,
Did fright the architects to run;
And yet in that the State
Foresaw its happy fate.
And now the Irish are ashamed
To see themselves in one year tamed:
So much one man can do,
That does both act and know.
They can affirm his praises best,
And have, though overcome, confessed
How good he is, how just,
And fit for highest trust:
Nor yet grown stiffer with command,
But still in the Republic's hand:
How fit he is to sway
That can so well obey.
He to the Commons feet presents
A kingdom, for his first year's rents:
And, what he may, forbears
His fame, to make it theirs:
And has his sword and spoils ungirt,
To lay them at the public's skirt.
So when the falcon high
Falls heavy from the sky,
She, having killed, no more does search
But on the next green bough to perch,
Where, when he first does lure,
The falc'ner has her sure.
What may not then our isle presume
While Victory his crest does plume?
What may not others fear
If thus he crowns each year?
A Cæ.sar, he, ere long to Gaul,
To Italy an Hannibal,
And to all states not free
Shall climactéric be.
The Pict no shelter now whall find
Within his parti-coloured mind,
But from this valour sad
Shrink underneath the plaid:
Happy, if in the tufted brake
The English hunter him mistake,
Nor lay his hounds in near
The Caledonian deer.
But thou, the Wars' and Fortune's son,
March indefatigably on,
And for the last effect
Still keep thy sword erect:
Besides the force it has to fright
The spirits of the shady night,
The same arts that did gain
A power, must it maintain.


Scheme Text too long
Poetic Form
Metre 101010110011100 01011101 11011101 10011 110100 11110101 0101111 010101 01101 11010111 000100111 1101001 111101 01011101 10011111 110111 1100101 11111101 011100 01111 111101 11010111 01000101 011111 111101 11010111 01110101 011111 110111 11110101 1111001 111101 1101 11010011 11001111 010101 010101 11001101 01010101 111111 111111 1011100 0110101 01111 110101 11110101 11010101 010111 111101 11010111 11011101 110111 11101 11010101 01010101 110111 111101 11010111 01110001 111101 01111 11011101 11001101 111101 110101 111100010 110101110 111101 010011 01011101 1101011 010101 11101 01010101 11010111 111111 111101 11011101 0111001 111111 011101 11110101 11000101 111111 111101 11010110 01011111 01111 111111 0111011 11110101 110101 110101 11011111 11011111 111111 01101 111110101 11001111 111101 111111 01111111 11001100 011111 1111 01110111 01110101 11111 10101 10100101 01010101 111101 001001 11010101 111 010101 111101 01011111 01010101 011111 0101101
Closest metre Iambic tetrameter
Characters 3,655
Words 669
Sentences 25
Stanzas 2
Stanza Lengths 1, 120
Lines Amount 121
Letters per line (avg) 24
Words per line (avg) 5
Letters per stanza (avg) 1,424
Words per stanza (avg) 333
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Submitted on May 13, 2011

Modified on March 05, 2023

3:24 min read
74

Andrew Marvell

Andrew Marvell was an English metaphysical poet, satirist and politician who sat in the House of Commons at various times between 1659 and 1678. During the Commonwealth period he was a colleague and friend of John Milton. more…

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