Analysis of Girl Who Talks to Ghost



Girl Who Talks to Ghost?

runrunrunrunrun
knees bleeding poppies
asphalt drinks the blood like it is starving
but I keep going —
stopping is dying
the rain knows my name
hisses down my neck —
girl who runs,
girl who breaks,
girl who talks to ghosts
neon signs blink like pulse points in the dark
flickering —
come home come home come home
but I don’t know where home is
only where it isn’t
my mother’s voice —
half-fluff cloud, half-thunder
saying don’t trust love,
it eats nice girls like you
a hand once brushed my hair back
kissed my neck
but the hand belonged to someone who left
fasterfasterfaster
feet slap earth like a heartbeat
begging to be heard
love is out here somewhere
glowing soft and gold
beneath the wreckage
I think I see him —
or them —
or no one —
I see someone
blurred, open hands,
heart trying to break their ribs
every time I get close
the street splits wide
swallows them whole
alone again
not again
runrunrunrunrun
shadows stretch legs to trip me
some wear my father’s face
jaw clenched like a locked door
some wear the faces of boys I kissed to forget the ones who hurt me —
but I can still taste the hurt
some wear his face —
that maybe-love, that almost-savior
but his mouth is full of something raw and still he won’t speak
the rain begs me to stop
but now it whispers in my mother’s voice
tells me to lie down in the mud and stay there
says love is a story they told you
to make you soft enough to break
but the storm inside me howls louder
bone-hum shaking through my ribs
lungs filling with broken glass and prayers I don’t believe
I want love like a wound wants a knife
like hunger wants rot
like drowning wants air —
just to feel it tear through me
even if love is teeth that bite
hands that crush mine
even if love shatters me into splinters
the way it always has
I still want it
and then—
a kitchen
morning light spilling soft as honey
hands covered in flour
a laugh, low and warm
a light that doesn’t burn my eyes
a soft kiss good morning
someone saying stay
like they mean it
a hand on my back
steady
not pushing, not pulling
just there —
holding, not demanding
someone who sees all the wreckage inside me —
shattered lockets,
rusted compass,
scars etched on my heart —
and doesn’t flinch
but also —
love is a trap door
love is a sharp edge
love is a wolf in lambs wool
love is not real
so I runrunrunrunrun
toward the myth, the dream, the maybe
ribs splintering into bird bones
lungs filling with stormwater and hope
and if I get there
if arms open wide and pull me in —
will they hold me or break me
will they stay or vanish
will they call me beautiful or too much
what if love is real —
the softest place I’ve ever landed
what if love is the final fall
the only one that doesn’t hurt at all
and if no one’s there —
if it’s only me and the rain
and the ghosts in my head —
at least I ran toward something
at least I believed for a minute
at least I wasn’t afraid to want
wasn’t afraid to hope
but what if
what if
what if
this time —
Someone catches me.
holds me—
so steady, so sure—
until even the storm forgets my name


Scheme a BcdddefxxxxdxxaghxijfxhxxkxxxxbbxlxxxbbBmnomxnhxxgkixhlxxxkmxbcxpbbbhxxdxpjmdkdmxxxxxoxxqbmxrkbmxxqxsskbxdxxrtTTxmmxe
Poetic Form
Metre 11111 1 11010 110111110 11110 10110 01111 10111 111 111 11111 1011111001 100 111111 1111111 10111 1101 111110 10111 111111 0111111 111 101011111 1 111101 10111 11111 10101 01010 11111 11 111 111 1101 1101111 1001111 0111 1011 0101 101 1 111111 111101 111011 11010111110101111 1111101 1111 11011110 11111110101111 011111 1111001101 11111001011 111010111 11110111 101011110 1110111 1101101011101 111101101 11011 11011 1111111 10111111 1111 1011101011 01111 1111 01 010 101101110 110010 01101 0111111 011110 1101 1111 01111 10 110110 11 101010 1111010011 1010 1010 11111 011 110 11011 11011 1101011 1111 111 010101010 11000111 1101101 01111 111010110 1111111 111110 1111100111 11111 010111010 11110101 010111111 01111 11101001 001011 11110110 111011010 11110111 10111 111 11 11 11 1101 11 11011 0110010111
Closest metre Iambic trimeter
Characters 3,136
Words 611
Sentences 3
Stanzas 2
Stanza Lengths 1, 117
Lines Amount 118
Letters per line (avg) 20
Words per line (avg) 5
Letters per stanza (avg) 1,199
Words per stanza (avg) 301
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Written on March 02, 2025

Submitted by dburriskitchen on March 02, 2025

3:03 min read
519

Deborah Burris-Kitchen

Deborah J. Burris-Kitchen, Ph.D., is a Professor of Criminology at Tennessee State University in Nashville. She is the author of Female Gang Participation (Edwin Mellen Press, 1997). In addition, she co-authored an article on racism in higher education in the College Student Journal (2000). Her publications include a book titled Short Rage: An Autobiographical Look at Heightism in America (2002). She has a book chapter (July 2010) titled Pathways to Prison: Implications for the Health and Mental Health in the African American Community in Handbook for African American Health Psychology: Evidence-based Treatment and prevention practices (edited by Robert Hampton & Ray Crowell); From Slavery to Prisons: A Historical Delineation of the Criminalization of African Americans (2010); a journal article titled Short Rage Revisited (2018); Deviance and Control, Kendall and Hunt (2020) a second edition of Deviance and Control was released by Kendall and Hunt in 2021 and a book of short stories and poetry titled Exposed published by Atmosphere Press 2023. Dr. Burris-Kitchen has served as the research committee chair and Vice President of the National Organization of Short-Statured Adults (NOSSA). She is a member of Phi Kappa Phi. She has served as President of the Association of Humanist Sociology (AHS) and was a member of AHS for many years. She has also been a member of the American Society of Criminology and the American Sociological Association. Dr. Burris–Kitchen is an activist who fights against violence, racism, exploitation, greed, and capitalism. more…

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