Analysis of Faces In The Street

Henry Lawson 1867 (Grenfell) – 1922 (Sydney)




They lie, the men who tell us in a loud decisive tone
That want is here a stranger, and that misery's unknown;
For where the nearest suburb and the city proper meet
My window-sill is level with the faces in the street --
    Drifting past, drifting past,
    To the beat of weary feet --
While I sorrow for the owners of those faces in the street.

And cause I have to sorrow, in a land so young and fair,
To see upon those faces stamped the marks of Want and Care;
I look in vain for traces of the fresh and fair and sweet
In sallow, sunken faces that are drifting through the street --
    Drifting on, drifting on,
    To the scrape of restless feet;
I can sorrow for the owners of the faces in the street.

In hours before the dawning dims the starlight in the sky
The wan and weary faces first begin to trickle by,
Increasing as the moments hurry on with morning feet,
Till like a pallid river flow the faces in the street --
    Flowing in, flowing in,
    To the beat of hurried feet --
Ah!  I sorrow for the owners of those faces in the street.

The human river dwindles when 'tis past the hour of eight,
Its waves go flowing faster in the fear of being late;
But slowly drag the moments, whilst beneath the dust and heat
The city grinds the owners of the faces in the street --
    Grinding body, grinding soul,
    Yielding scarce enough to eat --
Oh!  I sorrow for the owners of the faces in the street.

And then the only faces till the sun is sinking down
Are those of outside toilers and the idlers of the town,
Save here and there a face that seems a stranger in the street,
Tells of the city's unemployed upon his weary beat --
    Drifting round, drifting round,
    To the tread of listless feet --
Ah!  My heart aches for the owner of that sad face in the street.

And when the hours on lagging feet have slowly dragged away,
And sickly yellow gaslights rise to mock the going day,
Then flowing past my window like a tide in its retreat,
Again I see the pallid stream of faces in the street --
    Ebbing out, ebbing out,
    To the drag of tired feet,
While my heart is aching dumbly for the faces in the street.

And now all blurred and smirched with vice the day's sad pages end,
For while the short `large hours' toward the longer `small hours' trend,
With smiles that mock the wearer, and with words that half entreat,
Delilah pleads for custom at the corner of the street --
    Sinking down, sinking down,
    Battered wreck by tempests beat --
A dreadful, thankless trade is hers, that Woman of the Street.

But, ah! to dreader things than these our fair young city comes,
For in its heart are growing thick the filthy dens and slums,
Where human forms shall rot away in sties for swine unmeet,
And ghostly faces shall be seen unfit for any street --
    Rotting out, rotting out,
    For the lack of air and meat --
In dens of vice and horror that are hidden from the street.

I wonder would the apathy of wealthy men endure
Were all their windows level with the faces of the Poor?
Ah! Mammon's slaves, your knees shall knock, your hearts in terror beat,
When God demands a reason for the sorrows of the street,
    The wrong things and the bad things
    And the sad things that we meet
In the filthy lane and alley, and the cruel, heartless street.

I left the dreadful corner where the steps are never still,
And sought another window overlooking gorge and hill;
But when the night came dreary with the driving rain and sleet,
They haunted me -- the shadows of those faces in the street,
    Flitting by, flitting by,
    Flitting by with noiseless feet,
And with cheeks but little paler than the real ones in the street.

Once I cried:  `Oh, God Almighty! if Thy might doth still endure,
Now show me in a vision for the wrongs of Earth a cure.'
And, lo! with shops all shuttered I beheld a city's street,
And in the warning distance heard the tramp of many feet,
    Coming near, coming near,
    To a drum's dull distant beat,
And soon I saw the army that was marching down the street.

Then, like a swollen river that has broken bank and wall,
The human flood came pouring with the red flags over all,
And kindled eyes all blazing bright with revolution's heat,
And flashing swords reflecting rigid faces in the street.
    Pouring on, pouring on,
    To a drum's loud threatening beat,
And the war-hymns and the cheering of the people in the street.

And so it must be while the worl


Scheme AABBXBB CCBBDBB EEBBXBB FFBBGBB HHBBXBB IIBBJBB KKBBHBB LLBBJBB MXBBXBB NNBBEBB MMBBXBB OOBBDBB G
Poetic Form
Metre 11011110010101 111101001101 11010100010101 11011101010001 101101 1011101 111010101110001 01111100011101 11011101011101 11011101010101 0110101110101 101101 1011101 111010101010001 01001010101001 01010101011101 01010101011101 11010101010001 100100 1011101 111010101110001 010101011101011 11110100011101 11010101010101 01010101010001 1010101 1010111 111010101010001 01010101011101 111111001101 11010111010001 1101001011101 101101 1011101 111110101111001 010101101110101 0101011110101 11011101010101 01110101110001 101101 1011101 11111011010001 01110111011101 1101110010101101 1111010011111 01011101010101 101101 101111 01010110110101 11111111011101 10111101010101 1101110101111 01010111011101 101101 1011101 01110101110101 11010100110101 01110101010101 1111111110101 11010101010101 0110011 0011111 001010100010101 11010101011101 0101010100101 11011101010101 1101011110001 101101 101111 01111011011001 111110101111101 11100101011101 0111110110101 00010101011101 101101 1011101 01110101110101 11010101110101 01011101011101 0101110110101 01010101010001 101101 10111001 001100101010001 01111101
Closest metre Iambic hexameter
Characters 4,418
Words 817
Sentences 23
Stanzas 13
Stanza Lengths 7, 7, 7, 7, 7, 7, 7, 7, 7, 7, 7, 7, 1
Lines Amount 85
Letters per line (avg) 39
Words per line (avg) 10
Letters per stanza (avg) 258
Words per stanza (avg) 63
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Submitted on May 13, 2011

Modified on April 27, 2023

4:07 min read
383

Henry Lawson

Henry Lawson 17 June 1867 - 2 September 1922 was an Australian writer and poet Along with his contemporary Banjo Paterson Lawson is among the best-known Australian poets and fiction writers of the colonial period more…

All Henry Lawson poems | Henry Lawson Books

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