Analysis of Don Juan: Canto The Third

George Gordon Lord Byron 1788 (London) – 1824 (Missolonghi, Aetolia)



Hail, Muse! et cetera.--We left Juan sleeping,
Pillow'd upon a fair and happy breast,
And watch'd by eyes that never yet knew weeping,
And loved by a young heart, too deeply blest
To feel the poison through her spirit creeping,
Or know who rested there, a foe to rest,
Had soil'd the current of her sinless years,
And turn'd her pure heart's purest blood to tears!

Oh, Love! what is it in this world of ours
Which makes it fatal to be loved? Ah, why
With cypress branches hast thou Wreathed thy bowers,
And made thy best interpreter a sigh?
As those who dote on odours pluck the flowers,
And place them on their breast- but place to die-
Thus the frail beings we would fondly cherish
Are laid within our bosoms but to perish.

In her first passion woman loves her lover,
In all the others all she loves is love,
Which grows a habit she can ne'er get over,
And fits her loosely- like an easy glove,
As you may find, whene'er you like to prove her:
One man alone at first her heart can move;
She then prefers him in the plural number,
Not finding that the additions much encumber.

I know not if the fault be men's or theirs;
But one thing 's pretty sure; a woman planted
(Unless at once she plunge for life in prayers)
After a decent time must be gallanted;
Although, no doubt, her first of love affairs
Is that to which her heart is wholly granted;
Yet there are some, they say, who have had none,
But those who have ne'er end with only one.

'T is melancholy, and a fearful sign
Of human frailty, folly, also crime,
That love and marriage rarely can combine,
Although they both are born in the same clime;
Marriage from love, like vinegar from wine-
A sad, sour, sober beverage- by time
Is sharpen'd from its high celestial flavour
Down to a very homely household savour.

There 's something of antipathy, as 't were,
Between their present and their future state;
A kind of flattery that 's hardly fair
Is used until the truth arrives too late-
Yet what can people do, except despair?
The same things change their names at such a rate;
For instance- passion in a lover 's glorious,
But in a husband is pronounced uxorious.

Men grow ashamed of being so very fond;
They sometimes also get a little tired
(But that, of course, is rare), and then despond:
The same things cannot always be admired,
Yet 't is 'so nominated in the bond,'
That both are tied till one shall have expired.
Sad thought! to lose the spouse that was adorning
Our days, and put one's servants into mourning.

There 's doubtless something in domestic doings
Which forms, in fact, true love's antithesis;
Romances paint at full length people's wooings,
But only give a bust of marriages;
For no one cares for matrimonial cooings,
There 's nothing wrong in a connubial kiss:
Think you, if Laura had been Petrarch's wife,
He would have written sonnets all his life?

All tragedies are finish'd by a death,
All comedies are ended by a marriage;
The future states of both are left to faith,
For authors fear description might disparage
The worlds to come of both, or fall beneath,
And then both worlds would punish their miscarriage;
So leaving each their priest and prayer-book ready,
They say no more of Death or of the Lady.

The only two that in my recollection
Have sung of heaven and hell, or marriage, are
Dante and Milton, and of both the affection
Was hapless in their nuptials, for some bar
Of fault or temper ruin'd the connection
(Such things, in fact, it don't ask much to mar):
But Dante's Beatrice and Milton's Eve
Were not drawn from their spouses, you conceive.

Some persons say that Dante meant theology
By Beatrice, and not a mistress- I,
Although my opinion may require apology,
Deem this a commentator's fantasy,
Unless indeed it was from his own knowledge he
Decided thus, and show'd good reason why;
I think that Dante's more abstruse ecstatics
Meant to personify the mathematics.

Haidee and Juan were not married, but
The fault was theirs, not mine; it is not fair,
Chaste reader, then, in any way to put
The blame on me, unless you wish they were;
Then if you 'd have them wedded, please to shut
The book which treats of this erroneous pair,
Before the consequences grow too awful;
'T is dangerous to read of loves unlawful.

Yet they were happy,- happy in the illicit
Indulgence of their innocent desires;
But more imprudent grown with every visit,
Haidee forgot the island was her sire's;
When we have what we like, 't is hard to mi


Scheme ABABABCD EFEFEFGG HIHIHXHH DJDBDJKK LMLMLMHH HNONONPC QRBRQXAA XPCXCXSS XTXTXXUU KVKVKVWW UFUUUFCX XOXHXOYY XEXCU
Poetic Form
Metre 11110011110 101010101 01111101110 0110111101 11010101010 1111010111 110101011 0101110111 11111011110 1111011111 11010111110 0111010001 1111111010 0111111111 10110111010 11011011110 00110101010 0101011111 11010111110 0101011101 1111111110 1101110111 11011001010 110100101010 1111011111 111110101010 0111111101 100101111 111011101 11110111010 1111111111 1111111101 1110000101 1101010101 1101010110 111110011 1011110011 01101010011 1101110101 110101011 111010100110 0111001101 01110011101 1101010111 1111010101 0111111101 1101000101100 100101011 11011101101 10110101010 111111011 0111011010 1111100001 1111111101 11110111010 101011100110 111010001010 1101110100 0101111101 1101011100 1111101001 111010011 111101111 1111010111 1100110101 11001101010 0101111111 11010101010 0111111101 01111101010 11011101110 11111111010 0101101010 11110011101 100100110010 110011111 11110100010 1101111111 110100011 0111110101 110111010100 1100010101 110101100100 110100100 010111111101 101011101 111101011 110100010 100101101 0111111111 1101010111 0111011110 11111110111 01111101001 0101001110 111001111010 110101000010 01011100010 110101110010 1001010101 11111111111
Closest metre Iambic pentameter
Characters 4,328
Words 805
Sentences 21
Stanzas 13
Stanza Lengths 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 8, 5
Lines Amount 101
Letters per line (avg) 34
Words per line (avg) 8
Letters per stanza (avg) 265
Words per stanza (avg) 62
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Submitted on May 13, 2011

Modified on March 05, 2023

4:08 min read
88

George Gordon Lord Byron

George Gordon Byron, 6th Baron Byron, known simply as Lord Byron, was an English poet, peer and politician who became a revolutionary in the Greek War of Independence, and is considered one of the leading figures of the Romantic movement. He is regarded as one of the greatest English poets and remains widely read and influential. Among his best-known works are the lengthy narrative poems Don Juan and Childe Harold's Pilgrimage; many of his shorter lyrics in Hebrew Melodies also became popular. He travelled extensively across Europe, especially in Italy, where he lived for seven years in the cities of Venice, Ravenna, and Pisa. During his stay in Italy he frequently visited his friend and fellow poet Percy Bysshe Shelley. Later in life Byron joined the Greek War of Independence fighting the Ottoman Empire and died of disease leading a campaign during that war, for which Greeks revere him as a national hero. He died in 1824 at the age of 36 from a fever contracted after the First and Second Siege of Missolonghi. His only legitimate child, Ada Lovelace, is regarded as a foundational figure in the field of computer programming based on her notes for Charles Babbage's Analytical Engine. Byron's illegitimate children include Allegra Byron, who died in childhood, and possibly Elizabeth Medora Leigh.  more…

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