Analysis of Exile’s Letter

Ezra Pound 1885 (Hailey) – 1972 (Venice)



To So-Kin of Rakuyo, ancient friend, Chancellor of
Gen.
Now I remember that you built me a special tavern
By the south side of the bridge at Ten-Shin.
With yellow gold and white jewels, we paid for songs
and laughter
And we were drunk for month on month, forgetting the
kings and princes.
Intelligent men came drifting in from the sea and from
the west border,
And with them, and with you especially
There was nothing at cross purpose,
And they made nothing of sea-crossing or of mountain-
crossing,
If only they could be of that fellowship,
And we all spoke out our hearts and minds, and without
regret.
And when I was sent off to South Wei,
smothered in laurel groves,
And you to the north of Raku-hoku,
Till we had nothing but thoughts and memories in
common.
And then, when separation had come to its worst,
We met, and travelled into Sen-Go,
Through all the thirty-six folds of the turning and
twisting waters,
Into a valley of the thousand bright flowers,
That was the first valley;
And into ten thousand valleys full of voices and pine-
winds.
And with silver harness and reins of gold,
Out came the East of Kan foreman and his company.
And there came also the ‘True man’ of Shi-yo to meet
me,
Playing on a jewelled mouth-organ.
In the storied houses of San-Ko they gave us more
Sennin music,
Many instruments, like the sound of young phoenix
broods.
The foreman of Kan Chu, drunk, danced
because his long sleeves wouldn't keep still
With that music playing,
And I, wrapped in brocade, went to sleep with my
head on his lap,
And my spirit so high it was all over the heavens,
And before the end of the day we were scattered like
stars, or rain.
I had to be off to So, far away over the waters,
You back to your river-bridge.

And your father, who was brave as a leopard,
Was governor in Hei Shu, and put down the barbarian
rabble.
And one May he had you send for me,
despite the long distance.
And what with broken wheels and so on, I won't say it
wasn't hard going,
Over roads twisted like sheep's guts.
And I was still going, late in the year,
in the cutting wind from the North,
And thinking how little you cared for the cost,
and you caring enough to pay it.
And what a reception:
Red jade cups, food well set on a blue jewelled table,
And I was drunk, and had no thought of returning.
And you would walk out with me to the western corner
of the castle,
To the dynastic temple, with water about it clear as
blue jade,
With boats floating, and the sound of mouth-organs and
drums,
With ripples like dragon-scales, going grass green on the
water,
Pleasure lasting, with courtezans, going and coming
without hindrance,
With the willow flakes falling like snow,
And the vermilioned girls getting drunk about sunset,
And the water, a hundred feet deep, reflecting green
eyebrows
Eyebrows painted green are a fine sight in young
moonlight,
Gracefully painted
And the girls singing back at each other,
Dancing in transparent brocade,
And the wind lifting the song, and interrupting it,
Tossing it up under the clouds.
And all this comes to an end.
And is not again to be met with.
I went up to the court for examination,
Tried Layu's luck, offered the Choyo song,
And got no promotion,
and went back to the East Mountains
White-headed.
And once again, later, we met at the South bridge-head.
And then the crowd broke up, you went north to San
palace,
And if you ask how I regret that parting:
It is like the flowers falling at Spring's end
Confused, whirled in a tangle.
What is the use of talking, and there is no end of talking,
There is no end of things in the heart.
I call in the boy,
Have him sit on his knees here
To seal this,
And send it a thousand miles, thinking.


Scheme XXXABCDXXCEFGHXXIXXHAGXJKLLEXXXEXEGXXXBXXHXXMXXLX XGNEOPHXXXXPGNHCNXQKXDCHOJIXXXXRCQPXSXGXGMRXXFHSNHXXXXH
Poetic Form
Metre 111111011001 1 11010111101010 1011101111 110101101111 010 010111110100 1010 01001110010101 0110 011011010 11101110 0111011101110 10 1101111110 0111110101001 01 011111111 100101 01101111 111101101000 10 01101011111 110100111 110101110100 1010 010101010110 110110 00111010111001 1 0110100111 1101111001100 0111001111111 1 10101110 0010101111111 110 101001011110 1 01011111 011111011 111010 01100111111 1111 01101111110010 0010110110101 111 111111110110010 1111101 01101111010 110001101100100 10 011111111 010110 0111010111111 10110 10110111 0111101001 00101101 01011011101 011001111 010010 111111101110 011101111010 0111111101010 1010 100101011001111 11 111000111100 1 1101101101110 10 10101110010 0110 10111011 0011101011 0010010110101 1 1101101101 1 10010 0011011110 10001001 001100100101 10111001 0111111 011011111 11110110010 11110011 011010 01110110 110 0101101110111 01011111111 10 01111101110 11101010111 0110010 110111001111110 111111001 11001 1111111 111 011010110
Closest metre Iambic tetrameter
Characters 3,586
Words 682
Sentences 25
Stanzas 2
Stanza Lengths 49, 55
Lines Amount 104
Letters per line (avg) 28
Words per line (avg) 7
Letters per stanza (avg) 1,434
Words per stanza (avg) 340
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Submitted on May 13, 2011

Modified on April 25, 2023

3:26 min read
155

Ezra Pound

Ezra Weston Loomis Pound was an American expatriate poet and critic of the early modernist movement. more…

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