Analysis of Opening up



Worrying about
your concerned questions
I feel obligated
to make sure that you will get
crystal clear answers.

The year round I experience
my inexplicable vocation.

Day and night words wing
through my drafty head,
searching frenetically
for an eternal place
in the hard pruning picking order
of my growing poem’s construction.

Daily from 8 till 10 a.m.
I dismantle
the tightly stuck nonsense
of confused philosophical writings
that with the regularity
of rain showers
are brought into orbit
around the globe.

I unscrew their stillborn sentences
catching the corrosion in a
shoebox, blown
against my front door.

The relieved letters
I then arrange alphabetically
on a sheepskin
spread in front of
the flickering fire place
so the 26 suckers
can catch their sound.

Daily from 10 a.m. till noon
I feel morally obligated
to have a peep
into billions of acts
at the courthouse
held under the magnifier
of my sagacity.

The blindfolded visionaries
of justice, after all,
are cunningly halving
the holy words
in literal
and figurative meanings.

It allows them to assess
each and every hungry crook
at all times in accord with
the bend of their arrogant hats.

With the contact adhesive
of poetry
I shall patch up
the dying words,
so they can soon
reradiate their magic.

Compared with Sigmund Freud
Adolf Hitler
was a fascinating social worker.

Still
the tangentially babbling coachmen
of quell-fare
globally insist to brick-lay
people like me
in the steep dungeons
of the outdated definitions
bequeathed by Freud.

However, my true doom
comprises
the unstoppable stigma
of the harassing vultures stalking me,
usually pub tigers
leaving a slipstream of
steaming body stench,
part-time serving
as stuttering gaffe-fathers
in the subsidized left-progressive state circus,
whose wiseacres’ view of the world
comes from the marinade they are soaked with
by the flaming appendices
of newspaper pre-chewings filled with ads.

Every day from 2 p.m. up till 4 p.m.
I am eager
to blast the widely scything dictatorship
of the recorded music.

To the regular Joes with a cap
and everyone wearing a hat
I explicate that true music
is invented and refined
at rock-along stages
of memorable pubs
in the blind alleys
of exploded metropolises
with the fuel of
the shouting, roaring, whistling,
hand clapping, feet stamping
and dancing audience!

And I orate that
only then
true music
is allowed to find its winding way
into the multiplying recording studios
from where it,
pimped with the leather jacket
of the Street Credibility,
gets hinted back
to the flapping floppy ears
of the three-step dance buts
cooking onion soup around the corner.

Because of horrified fury
I have to add
the terminally cancerous recorded music has become
a method to brainwash, splintering awareness
while being misused as a mental bazooka
to direct an emaciated consumption cattle
to the swallowing checkouts.

Now you understand why
many overfed musicians
label me a nest fouling letter dick,
hardly good enough
–while frost cuts–
to push,
their unruly Chevrolets
or to restrain their breathtaking call girls
from edging off
while the idolized string pickers themselves,
retreat to the shithouse
where they welcome
the amazing powder stocks
in their remaining brains.

Noted with it should be
the dazzling opulence
of instruments and equipment
many bands splash
at their stages,
need merciless sound checks
moreover
announcing a repertoire
that is largely set
on bygone covers
using phrases like

“I’m a poor lonesome boy,
standing on the corner
with an empty suitcase
in the fuckin’ snow”

leaving
a downright rancid taste
in the toothless mouth
of the literate city watcher.

Every day, between 4 and 6 p.m.
I am bound to rub
the weeping willows
of fellow poets
through the nutmeg grater
of my frowning reservations

investigate what
and how many adjectives
they spend.

(The legal maximum consumption for poets
with a body weight below 220 pounds,
has been determined
at twelve adjectives
a weekday,
on Saturdays and Sundays
one per day,
on public holidays
any use of it is forbidden
and anyone who, during a National Holiday
proceeds to pronounce
the first letter
of an adjective
will be
–not allowed to contradict–
finished at the spot with a neck shot
by the poetry police)

I also am obliged to estimate
how rough my melancholic colleagues kick
against the diamonds balls
of the Grand Capital’s Moloch,

check
to which graduated peasant daughters
they dedicate their sobbing love’s verses,
so I won’t –by renewing my membership–
accidentally end up
inside the carnivorous flowers
thurified by them.

Obviously
those maybugs of
creaking rhyme
continuously offer me spirits
lung pulverizing Marlboros
and even their foul-mouthed
serpents, their labile wives
so I may fall pray
ASAP
to the devious stratagems
of the Grim Reaper.

Daily between 6 and 8 p.m.
I provide evening classes
‘Mental Immersion’
to hug-damsels of various cuts,
married straitjackets
and Beguines
with their biological stopwatches
ticking ever louder.

Like a yes-nodding piggy pot negro
I listen with the earcups wide open
to their horrific handbag-complaints.

Of course I monitor the contents
of the mill-kooky mothers
battling with a gleaming Need-African
at the slippery dance floor.

Of course I fetch them
a soothing cup of coffee
and of course I stir it, and again
after those power horny young ladies,
due to somewhat too adventurous alcohol research
tear their self-decorated, silk blouses
from their unapproachable bodies
to tie a strip of it
around their wildly forested skulls
and shout a deeply felt cover
of ‘Diamonds are a girl’s best friend’,
while tap-dancing
on the imploding pub’s counter.

Meanwhile they also direct
the sweaty rhythm
with a silly slacking baguette
that was driveled
alarmingly deep
into their multifunctional vaginas
by a reliable,
since with Greek principles
flirting street worker,
who considers his contribution
to the overall fun
a welcome distraction
now that his job
has become super stressful
with quite many tobacco groupies
organizing steam sessions
at windy street corners
usually a healthy sport discipline
had it not been that
with practicing it
many catwalk cats
have a change of driver
and the exhausting altercations caused by this
create a novel pre-revolutionary climate
in the obedient-baked streets.

Everyday, between 8 p.m. and
the hour of the wolf
I play nanny to myself.

It is true that I –on average
up to fourteen times each night–
fall in hammered love with pub cats
that -sniffing for promising seeds-
squirm into the drink shed

Ever since my Confirmation party
went all but motionless
due to an initiatory undressing
in the hot cooked shed
of the prominent village inn ‘Terminus’
–awkwardly directed
by a far flung sugar aunt
who already devoured comic books–
I suffer from addictive
‘infatuation flashes’.

The latter implies that I
cannot take even a drop of alcohol.

After all, only in sober condition,
I fully understand
I never fall in love
with the hug-damsel as such,
it is the image
of the girl in question
an image that I sublimate
and that I feast and slurp.

And these images
I desperately need
in order to be able to do
what I am not bad at:

lacemaking
with the most sing-along-songsterest love poetry!

So ladies, hug-damsels too,
don’t hide in your lofts
behind pyramids
of discarded hat boxes
when I doom from the desert
of my loneliness
with bulging eyeballs
of morbid infatuation.

A professional I am
as the inveterate explorer
who squeezes his highly pregnant love poems
in wine bottles guzzled by others
to slam them in the unfathomable oceans
of your sacred beauty.

The household love
is taboo for me.
It disrupts my vocation!

Look infatuated at me
so I may drop
like a hot incandescent bulb!

Love should indeed never reach
a definite result
or she torpedoes herself!


Scheme Text too long
Poetic Form
Metre 10001 10110 11100 1111111 10110 01110100 10100010 10111 11101 101 110101 001101010 111010010 10111 1010 010110 101010010 1100100 1110 110110 0101 11111100 10001000 101 01111 00110 11010100 101 1011 0100101 1010 1111 101111 11100100 1101 011011 101 1100100 111 0101000 110101 1110 0101 0100 0100010 1011101 10100101 1110011 01111001 101010 1100 1111 0101 1111 1110 011101 1010 101001010 1 001001001 111 10001111 1011 00110 1010010 0111 10111 010 0010010 1001010101 1000110 10011 10101 1110 1100110 00101010110 111101 110101111 10101 11011111 10011111111 1110 110101010 1001010 101001101 0101001 1101110 1010001 110110 110001 00110 10101 10101 0101010 110110 010100 0111 101 110 101111101 01010001010 111 1101010 1010100 1101 1010101 101111 1010101010 0111010 1111 0100010001010101 01011100010 110011010010 1011010001010 101001 11011 1001010 1010110101 10101 111 11 101001 110111011 1101 101011001 01101 1110 0010101 010101 101111 0100100 11000010 1011 1110 110011 010 010010 11101 1110 10101 101101 101010 11101 0011 10 01101 00101 101001010 100101011 11111 0101 11010 10110 1110010 0101 0110100 11 010100010110 10101011 11010 11100 01 110001 111 11010 101111100 010110010010 01101 0110 11100 11 101101 101011011 1010001 1101011100 111010101 010101 1011001 1 111001010 110110110 1111010110 010011 010010010 111 1000 111 101 0100010110 11100 010111 10111 11111 1111 10100100 10110 1001011 1011010 10010 11111001 101 01 11010010 101010 1011010110 110101110 11010101 111100010 1011010 10010101100 1010011 11111 0101110 011111001 1011010110 1111101001001 111100110 11110 110111 011101001 01010110 11010111 1110 10010110 111001 01010 101011 111 01001 0110101 100100 111100 10110 10101010 10101 010010 1111 1011010 11100110 100110 110110 10000101100 11111 11001 1011 101110 00010010111 010101010010 00010011 10101110 010101 111011 111111100 1111111 10101111 11011001 101011 101101010 111100 11111 00111 101001011 100010 1011101 1010010101 1101010 001010 0100111 1011001110 10110010010 11001 110101 1011011 11010 101010 110111 011101 01100 110001 010111011 111111 1 10110111100 110111 11011 01100 1010110 1111010 11100 1101 1100010 0010011 100100010 11011010110 01101110 111000100010 111010 011 10111 1011010 1010011 1111 1010101 1101101 010001 1101001
Closest metre Iambic trimeter
Characters 7,518
Words 1,286
Sentences 52
Stanzas 44
Stanza Lengths 5, 2, 6, 8, 4, 7, 7, 6, 4, 6, 3, 8, 14, 4, 12, 12, 7, 14, 11, 4, 4, 6, 3, 17, 4, 7, 11, 8, 3, 4, 13, 25, 3, 5, 10, 2, 8, 4, 2, 8, 6, 3, 3, 3
Lines Amount 306
Letters per line (avg) 21
Words per line (avg) 4
Letters per stanza (avg) 144
Words per stanza (avg) 29

About this poem

Translation from Dutch by Ludy Bührs at the author's request

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Submitted by ludy_b on July 11, 2021

Modified on March 05, 2023

6:26 min read
14

Coenraed de Waele

Unofficial City Poet of Genth, Belgium. Publisher of many books of poems by himself. more…

All Coenraed de Waele poems | Coenraed de Waele Books

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